Determine Thread Requirements

Calculation of the estimated thread rate of consumption for a pattern with a frequent repeat.

Sometimes it makes sense to determine the likely thread consumption before starting an embroidery project. There are various reasons for this: leftover threads you want to use up, colored threads that are no longer available for purchase, or—as in this example—very high shipping costs just to get hold of one or two additional skeins.

Embroiderers work in different ways. Some pull the thread tight, while others work a bit more loosely. Some place their stitches very close together, others leave a bit more space. Some secure even the tiniest remaining thread end, while others are more generous with their thread usage. Sometimes the thread gets so tangled that it is impossible to continue stitching.

There are, therefore, many variables involved. Consequently, it is impossible to say exactly—down to the last centimeter—how much thread will be required. However, it is at least possible to make a rough estimate.

I recently offered a cut piece of linen for a tablecloth with a pre-printed design. The buyer wanted to know how much thread she would need.

The printed pattern in this example consists of short repeats that occur a total of 34 times. Therefore, one only needs to stitch a single such section to make a rough estimate of the total thread consumption.

One pattern repeat was ironed onto a matching piece of linen,. (If you finish stitching the project yourself, you can of course stitch the original right away.) The thread was cut into 100 cm lengths (or 50 cm for the Coral Knot stitches)—a comfortable length for working. The number of threads for each thread weight was determined and recorded both before and after the embroidery was completed.

A few areas were designed so that, if enough threads remains, they can be embroidered with additional embellishments

The small sample piece is finished.

One could initially leave the star-shaped flower unfilled and later embroider it using Satin stitches or Lazy Daisy stitches.

The center of the tulip was worked in a Limet pattern using Rose stitches. This could be modified using variations of the Rose stitch or by creating an openwork pattern with for example French stitch; the thread consumption would be similar.

The side petals of the tulip were given a simple 3:1 thread withdrawing

and Wave stitches as filling pattern.

The pomegranate was given a 2:1 thread withdrawing to establish an openwork pattern.

The area can only be stabilized using Cable stitches and be left as is.

However, the reduced-size version of the grid also allows for stitching various small patterns.

The sides of the pomegranate were designed differently – the thread consumption is similar.

Instead of the five small satin-stitch leaves, perhaps Lazy Daisy stitches should have been worked at the tip of the pomegranate—that might have looked nicer. However, that would have required just as much thread as the Satin stitches.

In total, the following were required:

Stitches

Thread weight No.

Rate of thread consumption in meters

Total

x 34

: 30

Coral Knot stitches

16

7,00

Eyelash stitches

16

0,20

Franch Knots with 2 wraps

16

0,25

7,45

253,30

8,44

leaves

20

3,50

Needle-Weaving stitches

20

0,70

Feather stitches

20

0,35

Satin stitches star blossom

20

1,00

Lazy Daisy stitches star blossom

20

0,20

Wave stitches

20

0,70

6,45

219,30

7,31

Balnket stitch eyelets and half eyelets

25

2,00

Rose stitches

25

0,75

2,75

93,50

3,12

Chain stitches

30

4,00

Cable stitches

30

1,10

5,10 173,40 5,78

Since the pattern repeat appears 34 times on the table cloth, the consumption per unit had to be multiplied by 34.

Since a skein of MEZ Anchor coton à broder thread contains 30 meters, it was necessary to divide by 30 and round up.

This determined the amount of thread needed for the large tablecloth:

9 skeins No. 16

8 skeins No. 20

4 skeins No. 25

6 skeins No, 30

27 skeins in total

The Pomegranate Motif (3)

Recently, a blog reader sent me a photo of a sort of accordion-fold booklet featuring pomegranates embroidered in various styles.

The traditional motif is also popular in Schwalm whitework, as it looks magnificent, is relatively easy to stitch, and offers many possibilities for variation.

I have already shown many examples of embroidery on this blog, which you can easily view via the links provided on bottom.

Here is another modification—this one in three parts.

The central section is worked in an openwork pattern.

The two sides are designed differently; one is embroidered with Feather stitches,

the other with Eyelash stitches and French knots.

This variation of a pomegranate motif can enrich any design.

The Pomegranate Motif (1)

The Pomegranate Motif (2)

Schwalm Band (11)

Schwalm Band (13)

Global Schwalm Sampler – Update (7) 

Sofa Cushion Cover 2

Sofa Cushion Cover 1 (B)

The Filling Patterns of the Parade Cushion Border (B)

Embroideries by Rosemarie Landsiedel-Eicken (4)

 

Schwalm Workshop

October 17th is the International Day of Intangible Cultural Heritage. Bearers are encouraged to use this day to showcase their respective cultural heritage.

Margarete Grandjot will host a Schwalm Workshop. She will open her embroidery studio starting at 10:00 AM to 17 PM to offer insights into traditional Schwalm embroidery.

Registrations are accepted at 07032 33403 or via email at margarete_grandjot@stickatelier.de.

Selling cut-to-size Linen with Print (1)

There was a time when I had a wide variety of patterns I particularly liked printed onto linen, intending to embroider them later. Now I realize that I will never be able to use up this huge stash. So, I have decided to gradually part with some of the pieces.

The piece shown here measures approximately 140 cm by 215 cm, making it suitable for use as a dining table cloth.

This is Weddigen linen #160 in the color “Falb” (fawn). The 13.5-thread linen is of very high quality, as can be seen from the enlarged image.

The linen is printed with two pattern strips, each approximately 13 cm wide and 190 cm long, featuring a continuous pattern repeat (see photo below).

The patterns are spaced approximately 12.5 cm from the short edges, allowing for a wide hem to be worked.

Measured from the long sides, the distance is approximately 37.5 cm, leaving a clear strip of approximately 39 cm in the middle between the bands of the pattern.

I am selling this large, printed piece of linen at the attractive special price of €79.00—especially considering how hard it is to find such high-quality linen in this color these days.
Already sold !

If you are interested, please send me an email at: : info@luzine-happel.de

I have the beige MEZ Anchor coton à broderie in the matching color 387 in stock in all weights (12, 16, 20, 25, 30). I sell the skein for €2.40. Crochet thread in color 387 is also available in weights 40 and 80.

An Accessoire for Pocketing

You don’t have to limit yourself to pocket squares to showcase beautiful embroidery; individual motifs work well, too. If you are worried about the motif falling out of the pocket, you can attach a backing piece to the bottom of the design, cut to fit the size of the pocket.

There are certainly some amusing suggestions when it comes to choosing a motif. For instance, residents of a neighboring village are nicknamed “Sand Hares.” Wouldn’t it be fitting, then, to have a hare figure peeking out of the pocket?

Or what about leaves in the autumn?

I look forward to know your ideas.

Please see also:

Pocket Square Fashion Trend
Schwalm-Style Pocket Square (1)
Schwalm-Style Pocket Square (2)