Schwalm Band (14)

Filling Patterns of Section 2 I

Since I accidentally showed the daisy in the previous blog post and the small buds were transformed into leaves in the outline drawing, only the large tulip remains from this section.

Thread withdrawing is made 3:1.

A pattern similar to filling pattern No. 569 is embroidered with coton à broder No. 20, but here not as openwork, but as Limet pattern. As such, I like it even better.

The tulip tip also receives a 3:1 thread withdrawing.

Using coton à broder No.20, Four-Sided stitches are embroidered, alternating one row from the front and one row from the back.

It doesn’t look particularly spectacular at first, but after laundry the picture changes.

This means that Section 2 I also received its filling patterns.

Schwalm Band – Outline Design
Schwalm Band (1) Design Transfer
Schwalm Band (2) – Preparatory work of section 5
Schwalm Band (3) – Preparatory work of section 4
Schwalm Band (4) – Preparatory work of the sections 3 – 1
Schwalm Band (5) – Filling Patterns of Section 5 II
Schwalm Band (6) – Filling Patterns of Section 5 I
Schwalm Band (7) – Filling Patterns of Section 4 b II
Schwalm Band (8) – Filling Patterns of Section 4 b I
Schwalm Band (9) – Filling Patterns of Section 4 a II
Schwalm Band (10) – Filling Patterns of Section 4 a I
Schwalm Band (11) – Filling Patterns of Section 3 II
Schwalm Band (12) – Filling Patterns of Section 3 I
Schwalm Band (13) – Filling Patterns of Section 2 II

Our Monument Adventure

At the invitation of the Schmidt family, the owners, the Wanfried embroidery circle was – among many others – on the day of the open monument at the Aue manor involved in the “Adventure Monument”. Both the intangible cultural heritage of Schwalm whitework and the listed building are traditional cultural assets that should be preserved for posterity.

Participation was also a real adventure for us embroiderers.
In order to direct the expected flow of visitors, we planned a one-way path. Therefore, during the preview we chose a large room that can be entered in the right corner

and a smaller room to the left,

through which visitors could leave our exhibition.

When we arrived to set up the exhibition, the picture had changed,

because shortly before the craftsmen had discovered major damage. The small room was now missing the left wall

and the wall with the door.

Instead there were supports and there was a large hole in the ceiling.

A ramp was built to prevent visitors from tripping over the beam.

The rubble had been cleared away and the floor cleaned.

All that remained was to clean a few windows, remove clay dust from the available furniture and remove the cobwebs from the corners.

Large cloths attached with clips to clotheslines that we had brought with us separated our exhibition area.

Then tables, stools, folding chairs and baskets full of other equipment were brought in. We received power via an unrolled cable drum. Unfortunately, it wasn’t strong enough for the iron – so the textiles couldn’t be finally smoothed again. But it provided enough light for embroidery and good lighting for the exhibits.

Should the clay plaster on the walls be covered in a more rustic style with the sackcloth we brought with us or with coloured cloths?

How should the tables be arranged?

After a few tests and short discussions, the basic concept was in place and the decoration could begin.

On the bed was the magnificent,

completely individually designed

Wedding tablecloth spread.

It was created with a matching pillow in more than 400 hours of embroidery on the finest linen.

Now we have to set up a few stools so that tired visitors don’t want to use the bed to rest. (It couldn’t be completely prevented.)

The covered supports were decorated with tablecloths.

Curtains were attached. Pillows draped.

Teacloths

lamps and runners,

doilies and table bands,

pictures and everything else brought along

were laid out.

A final check after the work was done made the exhausted women happy – Sunday can come!

On the morning of the day of the open monument, the manor is still almost sleepy.

That should change very soon.
Streams of visitors began

and didn’t let up until evening. Some had come from far away. Guests even came from the Harz Mountains.

Crowds of curious people also pushed their way through “our” rooms. Many of the visitors took a closer look at the whitework,

sought conversation and “looked over the embroiderers’ shoulders” or tried out a few stitches themselves.

A total of three younger women want to learn the technique and be there at the next embroidery circle meeting.

We were particularly enthusiastic about three girls around 10 years old who asked to be allowed to embroider too. Highly concentrated, skillful and with great perseverance, they learned several stitches that day.

A very pleasing result and an encouragement for the future, with which our efforts were rewarded.

We would like to thank the Schmidt family for the invitation and for making the presentation possible.

The HR television team has a Video, which is available until October 8th, 2024.

Shortly before the end, a passage from us is shown:

In addition, our regional newspaper reported in detail.

Schwalm whitework in the Aue Manor

Very close to Eschwege – in Wanfried-Aue – there is a manor with a manor house and extensive farm buildings that is well worth seeing.

Unfortunately, the ensemble was left to fall into disrepair for decades. Now daring new owners have made it their mission to save the manor house, stables, barns and the rest that still exist and give them a new future.

The buildings are under monument protection.
The renovation is difficult. Again and again, craftsmen expose smaller and larger damage.

On the Day of the Open Monument the doors will be opened and people can get an insight into the status of the work.

A balanced supporting program ensures entertainment and should inspire as many visitors as possible.

The Wanfried embroidery circle will also be there with Schwalm whitework, because that suits this occasion well! Both intangible cultural heritage and material cultural heritage such as architectural monuments are about preserving and passing on the skills and knowledge that have often been developed, tested and refined over very long periods of time!

The members of the embroidery circle will present themselves embroidering, be available to answer questions and invite to try things out and take a look. Embroidering in a group is fun and motivating.

Although the rooms have not yet been renovated and resemble a tidy construction site, the power supply is provisional and all equipment has to be brought along, the ladies of the embroidery circle are putting many of their beautiful finished projects on display in an exhibition. I will also be there.

Open on Sunday, September 8th, 2024 from 10 a.m. to 7 p.m.
The manor is located at Lange Str. 54 in 37281 Wanfried-Aue.

Schwalm Band (13)

Filling Patterns of Section 2 II

The middle part of the pomegranate should have an openwork pattern. Therefore the thread withdrawing is made 2:2. The grid is secured with Cable stitches (coton à broder No. 30).

Filling pattern “Needle-weaving stitches with spiders” (Openwork Pattern Samplers, pages 72 and 73) is embroidered with coton à broder No. 20 .

The sides of the pomegranates do not receive any thread withdrawing. With coton à broder No. 16 horizontal Daisy stitches are worked adjacent to the openwork pattern area. The outer area is decorated with Feather stitches.

I embroider a tendril of monastery stitch/overlay stitch on the fluffed bird with coton à broder No. 16 and No. 30.

The little heart receives a 2:2 thread withdrawing and only a Cable stitch grid (coton à broder No. 20).

I like the tiny tulip buds better without any additional filling.

The daisies could be decorated with a daisy stitch with a very long overlay stitch in each petal. I gave up on it.

This means that Section 2 II also received its filling patterns.

Schwalm Band – Outline Design
Schwalm Band (1) Design Transfer
Schwalm Band (2) – Preparatory work of section 5
Schwalm Band (3) – Preparatory work of section 4
Schwalm Band (4) – Preparatory work of the sections 3 – 1
Schwalm Band (5) – Filling Patterns of Section 5 II
Schwalm Band (6) – Filling Patterns of Section 5 I
Schwalm Band (7) – Filling Patterns of Section 4 b II
Schwalm Band (8) – Filling Patterns of Section 4 b I
Schwalm Band (9) – Filling Patterns of Section 4 a II
Schwalm Band (10) – Filling Patterns of Section 4 a I
Schwalm Band (11) – Filling Patterns of Section 3 II
Schwalm Band (12) – Filling Patterns of Section 3 I

Schwalm Band (12)

Filling Patterns of Section 3 I

The areas of the tiny hearts are very small. They will not receive a thread withdrawing. Using 2 strands of the 6-ply stranded cotton, Satin stitches are embroidered from the central axis to both sides, falling towards the base of the leaf.

The wings of the next bird get a thread withdrawing of 2:2.

The filling pattern “Diagonal Cross Filling–French Variation/half with a gap” Openwork Pattern Samplers, pages 35-37) is embroidered (coton à broder No. 20).

The birds’ bellies are given a less conspicuous pattern in contrast to the conspicuous wing pattern. To do this, threads are only withdrawn horizontally 3:1.

Back Honeycomb Darning stitch is done with coton à broder No. 20.

As with all other stitches, they look more prominent after washing.

The circles receive a thread withdrawing of 3:1.

The filling pattern consists of alternating Satin stitch bars and rows of Four-Sided stitches (coton à broder No. 20) arranged at right angles to the center.
All Satin stitches are embroidered first because the Four-Sided stitches bundle fabric threads and it is difficult to stitch between the bundled fabric threads afterwards.

This means that Section 3 I also received its filling patterns.

Schwalm Band – Outline Design
Schwalm Band (1) Design Transfer
Schwalm Band (2) – Preparatory work of section 5
Schwalm Band (3) – Preparatory work of section 4
Schwalm Band (4) – Preparatory work of the sections 3 – 1
Schwalm Band (5) – Filling Patterns of Section 5 II
Schwalm Band (6) – Filling Patterns of Section 5 I
Schwalm Band (7) – Filling Patterns of Section 4 b II
Schwalm Band (8) – Filling Patterns of Section 4 b I
Schwalm Band (9) – Filling Patterns of Section 4 a II
Schwalm Band (10) – Filling Patterns of Section 4 a I
Schwalm Band (11) – Filling Patterns of Section 3 II