Double Outlines (5) – Bullion Knots

Bullion knots (not to be confused with French knots) are a rarely found design of an area between two outlines.

They effectively frame a motif in a very special way. The raised stitches create a beautiful contrast, especially with flat filling patterns.

Bullion knots (Early Schwalm Whitework, pages 63 and 64) are suitable for edging almost all motifs,

because rows of such bullion knots adapt flexibly,

can also take tight curves – so they are also suitable for small motifs –

and are also easy to continue around corners.

Bullion knots work best when stitched relatively close together.

The size of the knots can be influenced by the thread weight used and the number of wraps.

See also:
Double Outlines (1) – Remaining Free Areas
Double Outlines (2) – Interlaced Straight Stitches
Double Outlines (3) – Interlaced Herringbone Stitches
Double Outlines (4) – French Knots

Double Outlines (4) – French Knots

French knots are well suited for creating an area between two outlines.

They are easy to work and frame a motif effectively without the addition of additional decorative stitches.

Rows of such French knots adapt flexibly to a wide variety of motiv shapes and can also be perfectly continued around corners.

French knots can be stitched relatively close together or with some distance between them. However, the chosen distance should be maintained. It’s a good idea to make markings before stitching.

The size of the knots can be influenced by the thread thickness used and the number of wraps.

see also:
Double Outlines (1) – Remaining Free Areas
Double Outlines (2) – Interlaced Straight Stitches
Double Outlines (3) – Interlaced Herringbone Stitches

Double Outlines (3) – Interlaced Herringbone Stitches

A popular way to create an area between two outlines are interlaced herringbone stitches. They are called “Schlängchen” (curved lines) in Schwalm, just like the interlaced straight stitches “Kerrercher”. The method can be found in my publication Schwalm Curved Lines, Narrow Borders, and Ornamental Stitches on pages 44 and 45.

Interlaced herringbone stitches can also occasionally be found in historical Schwalm whitework, as here on a baby sling from 1866, where they were embroidered to decorate the double outline of a basket.

Today they are mostly embroidered around heart motifs.

These are almost always additionally surrounded with half-eyelet scallops,

sometimes also with knife points.

This type of decoration can also be used effectively on double outline of circles.

I haven’t been able to find an example of a tulip yet.

See also:
Double Outlines (1) – Remaining Free Areas
Double Outlines (2) – Interlaced Straight Stitches
Traditional Schwalm Whitework
Transition from Early to Later Schwalm Whitework (1)
Schwalm Whitework – Sunflowers
Schwalm Parade Cushion Border (A)
Traditional Schwalm Bodice (D) Embroidery

Museum digital (2) – Tablecloth from 1927 from the Thielmann Workshop

Museum digital (2) – Tablecloth from 1927 from the Thielmann Workshop

The “Museum Digital” series presents outstanding examples of Schwalm whitework and documents them with numerous detailed photographs. Each photo is accompanied by a detailed description.
The pilot project – my Tulip Sampler – has met with great interest.

Now I have prepared another piece with first-class and remarkable embroidery: A beautiful and opulently embroidered tablecloth – dated 1927 – from the Thielmann workshop.

Much of my website is provided free of charge. I cover the costs of maintenance, updates, and upkeep.
Therefore, I ask for your understanding that such a time-consuming project as “Museum Digital” has a purchase price – albeit a small one.
In return, you will receive the “Tablecloth from 1927 from the Thielmann Workshop” with 140 high-resolution photos, which you can examine at your leisure and appreciate every detail. This is accompanied by a 12-page semantic description or, upon request, a 36-page description with inserted images.

By placing an order, you agree not to share or publish the photos and information in any way.

Museum digital (2)
Tablecloth
from 1927
from the Thielmann Workshop
140 photos
12 pages text
or
36 pages text with inserted images
text: English
60,4 MB file size
5,00 €
zum Shop

Museum digital (1) – Tulip Sampler

A Special Joining for Length of Linen

I recently held a special piece in my hands. Dated 1843, it appears to be a wedding bedsheet, as indicated by the letter combinations on the left side of the crown—C C H L—and on the right side—A C H L. C and A are the initials of the first names, and C H L is an abbreviation of the surname.

Although I have the cloth from Schwalm, the font and crown are not typical of Schwalm. A few special embroideries prompt me to present the details here.

The visible part of the sheet, which hung over the front edge of the bed and was decorated with a crown, initials, and the year, was made from the finest 21-cm-thread-count linen.
The lower edge is decorated with a two-centimeter-wide needle-weaving hem with a block pattern.

On the side panels you will find a one and a half centimeter wide cube needle-weaving hem.

Since the panels of handwoven linen were usually less than a meter wide, several panels had to be placed side by side.

For the part not visible to the viewer, a much coarser, 15/16-cm-thread-count linen was chosen.

A special feature that I hadn’t seen before were the connecting stitches in the style of a needle-weaving hem.

The distance between the two fabric panels is approximately 8 mm. Three threads were laid close together from one fabric panel to the opposite one, then weaved halfway. Then—and this is the special feature—the thread was moved to the nearest completed needle-weaving bridge and there wrapped around the center of the first laid thread. On the way back to the started needle-weaving bridge, the working thread was wrapped. Then the needle-weaving bridge was finished. It has a width of approximately 3 mm. The next bridge was started at a distance of approximately 4 mm.

Also unusual are the horizontal connections between the multi-unit needle-weaving bridges of the hem with block pattern on the lower edge.

See also:
Combining Lengths of Linen to Make Larger Pieces (1)
Combining Lengths of Linen to Make Larger Pieces (2)
Plaited Insertion stitch (Interlaced Insertion stitch) – how to work