Schwalm Whitework – What is it and How is it Done?

Schwalm Whitework – What isit and how is it done?

October 17 is the International Day of Intangible Cultural Heritage. Bearers are encouraged to use this day to showcase their respective cultural heritage.

Therefore, this blog post will briefly explain to interested visitors what Schwalm whitework is, how it is worked and what huge possibilities for individual design it offers.

The embroidery got its name because it flourished in the small Schwalm region of Hesse, Germany, and survived there for centuries.

Schwalm whitework is worked with white thread on white linen. It is still not machine-produced today. It is a combination of different techniques.

To begin embroidery, one first needs an outline pattern. This consists of large motifs of simple shapes and small elements in the spaces between them.

The fabric remains undamaged in the spaces between the motifs. It is covered with decorative stitches — so-called surface embroidery.

Within the motifs, threads are taken from the fabric. The number depends on the intended pattern that will be stitched into the resulting grid. This technique is called withdrawn-thread embroidery.

The third technique used is cut work. Here, the fabric within the motifs is completely cut away and replaced with embroidery stitches — so-called needlelace.

One only needs to know 13 different stitches to perform Schwalm whitework. By combining these stitches, however, one can access a treasure trove of approximately 1,000 filling patterns. This enormous variety, combined with the infinitely variable outline patterns, makes the embroidery so varied and incredibly interesting.

Depending on one´s mood, one can embroider small items, tackle larger projects, create outstanding embroidery, or even work on collaborative projects.

The career of withdrawn-thread embroidery, the necessary stitches and the difference between the filling pattern categories

First, the outlines of the desired motif must be transferred onto the fabric.

There are various options for this:
• Iron on using an iron-on transfer pencil
• Recording using a Light-Pad and a water– or heatsoluble pen
Pressing or prickingwith blue carbon paper
Printing using a stencil

(See also: Schwalm Band (1) Design Transfer )

First, all lines are covered with stitches, as they may fade or disappear over time.

One uses coton à broder thread and work with three, sometimes four different thread weights, depending on the fineness of the fabric.

Using the thickest thread, first work the Coral Knot stitches over the main outlines, the stems and tendrils. These serve both to define the outliness and to secure the fabric edges of the motif during subsequent thread withdrawal.

(Since it would be too long to explain all the stitches in detail in this blog post, you will soon find a separate blog post for each stitch.)

Rounded leaves are usually worked with Blanket stitches, as are semicircular arches (so-called scallops), small circles (so-called eyelets) and triangular points (so-called knife points.

In addition to rounded leaves, Schwalm whitework also includes small pointed leaves, which can be embroidered divided or undivided, and heart-shaped leaves. All of these are worked with Satin stitches.

Once all lines have been covered with stitches, one can begin designing the motif areas.

Decorative stitch borders – here: “Blanket stitch half-eyelets” – make the motifs appear more pleasing, but do not necessarily have to enclose all shapes.

In order to cover the ends of the fabric threads that will later be withdrawn, Chain stitches are embroidered close together within the Coral Knot stitches.

To prepare withdrawn-thread patterns, fabric threads are pulled out from the back of the work within the motif areas and cut close to the Chain stitches.

There are three types of withdrawn-thread patterns – simple and double withdrawn-thread patterns. The latter are divided into Limet- and openwork patterns.

For a simple withdrawn-thread pattern – either vertically

or horizontally – every fourth fabric thread is pulled out.

In the ground prepared in this way, one mainly embroiders Wave stitches and

Honey Comb Darning stitches as well as

Satin stitches in “bars” or combinations of these stitches.

For a Limet withdrawn-thread pattern, one usually removes every fourth thread both horizontally and vertically.

The resulting Limet grid is primarily stitched with Four-Sided stitches, Diagonal Cross stitches, Rose stitches, Square Eyelets, and Satin stitches. Combining these stitches results in a huge number of different filling patterns, which can create completely different appearances.

Construction of a Rose stitch grid in the Limet ground

Finished Limet pattern with Rose stitches and Square Eyelet parts

Limet pattern with Four-Sided stitches and Rose stitches

Limet pattern with Satin stitches and Rose stitches

Limet pattern with Four-Sided stitches and Rose stitches

Limet pattern with Satin stitches, Four-Sided stitches and parts of Square Eyelets

Limet pattern with Rose stitches and Herringbone stitches

For an openwork pattern, threads are pulled out in pairs between two remaining threads – both horizontally and vertically. Removing half of the fabric threads makes the fabric translucent, or “light” and open.

Some patterns are embroidered directly into this openwork grid,

Openwork pattern with Cable stitches and Rose stitches

mostly, however, the grid is completely secured with Cable stitches.

In the openwork grid with Cable stitches usually , Needle-Weaving stitches

or Rose stitches

or combinations of both are embroidered.

There are several hundred openwork patterns.

In addition to the endless patterns shown above, openwork grids with Cable stitches in the Schwalm are also often decorated with figurative patterns.

Stars and

hearts

play a big role here, but tulips, birds and other animals as well as males and females can also be found.

In combination with the extremely large number of Limet patterns and the variety of simple withdrawn-thread patterns, one can choose from almost 1000 different area filling patterns.

With the endlessly variable outline patterns, the wide range of area filling patterns and the type of objects to be embroidered, every stitching project can become absolutely unique.
This possibility is once again highly valued today.

The health benefits shouldn’t be overlooked either. Being able to hold a tangible result of one’s work in one’s hands at the end of the day strengthens the psyche. Using both hands is important for maintaining brain function.

An overview of possible Schwalm whitework designs can be obtained through the thumbnails. Clicking on an interesting image will take you deeper into the respective subject matter.

Filling Pattern – No. 583

category: simple drawn thread filling pattern
linen used: 13.5/cm thread-count
threads used: coton à broder No. 20
stitches used: Wave stitches
horizontal center axis: withdrawn thread line

First, remove the center fabric thread in the direction in which the pattern will later run.

Starting from the resulting withdrawn thread line, leave always 5 fabric threads and withdrawt one.

Again starting from the center thread line, skip a 5-thread group and withdraw the middle one of the next 5-thread group.

Then skip two 5-thread groups at a time and withdraw the middle one of the next 5-thread group.

This creates an alternation of two 5-thread groups with two 2-thread groups each.

Starting in the middle (here rotated by 90°), now work Wave stitches over 6 fabric threads in width,

both via the 5-thread groups

as well as the 2-thread groups.

By alternating two high and two flat rows of mosquito stitches, an interesting, easy-to-embroider striped pattern is created. This can be used both horizontally

and vertically, depending on the desired effect.

This pattern was embroidered by Yasuko Kobayashi from Japan. She also gave me permission to share it here.
Thank you so much for sharing, dear Yasuko!

See also: See What My Readers Have Embroidered in 2016!

Filling Pattern – No. 582

Filling Pattern – No. 582

category: openwork filling pattern with Cable stitch grid
linen used: 13.5/cm thread count
threads used: coton à broder No. 30 for the Cable stitches and No. 20 for the Rose stitches
stitches used: Cable and Rose stitches
center: intersection of withdrawn thread lines (square)
one pattern segment: 48 threads

The filling pattern shown here is a practice exercise only. You can see it used in a shape at the end of this article.

First, establish an openwork grid with a square (an intersection of withdrawn thread lines) in the center by cutting 2, leaving 2 both vertically and horizontally.

Stabilize the established grid with Single Faggot stitches worked from the back side of the fabric. Please remember that Single Faggot stitch worked on the back side will look like Cable stitch viewed from the front.

Start in the fourth square below the center. The end of the working thread remains on the front side for now.

Work a rose stitch into this square. It’s a good idea to place the first part of the rose stitch in the direction you want to continue stitching later—i.e., the first partial stitch upwards if you want to work additional rose stitches above; the first partial stitch to the left if you want to work additional rose stitches to the left, and so on. This ensures that the square’s area is well covered.

After completing the first rose stitch, move the needle diagonally one square to the top right and from there work three rose stitches to the left.

In the square above the middle rose stitch, embroider another rose stitch, then emerge a square diagonally to the top right

and from there work three rose stitches to the left. After completing the third rose stitch, emerge a square above,

from there, embroider four rose stitches to the left.

Then move the needle diagonally one square to the right and one square down.
There, work a rose stitch, and then move the needle two squares up. There, work another rose stitch.

Leave 1 square remaining free to the right (to ensure that the square in between remains well defined and open, slide the working thread through a cable stitch on the back).

From there, work three rose stitches to the right. Over the middle of the three stitches, work a cross of one, three, and one rose stitches. The working thread is brought back to the square to the right of the center on the back.

From there, four rose stitches are worked to the right and then the needle is moved diagonally one square to the left and one square down.

There work a rose stitch and then move the needle up two squares. There work another rose stitch.

The first element of the pattern is finished.

An identical element is embroidered at intervals of three empty squares.

From the middle of the three remaining squares, leave one more square free and then embroider further elements to the left and right.

In this way fill the entire area.

An extraordinary pattern emerges,

which appears particularly effective in large areas, as here on a tablecloth from 1927.

Filling Pattern – No. 581

Filling Pattern – No. 581

category: openwork filling pattern with Cable stitch grid
linen used: 13.5/cm thread count
threads used: coton à broder No. 30 for the Cable stitches and No. 20 for the Rose stitches
stitches used: Cable and Rose stitches
center: intersection of withdrawn thread lines (square)
one pattern segment: 34 threads

The filling pattern shown here is a practice exercise only. You can see it used in a shape at the end of this article.

First, establish an openwork grid with a square (an intersection of withdrawn thread lines) in the center by cutting 2, leaving 2 both vertically and horizontally.

Stabilize the established grid with Single Faggot stitches worked from the back side of the fabric. Please remember that Single Faggot stitch worked on the back side will look like Cable stitch viewed from the front.

Bring the needle up in the second square below the center. The end of the working thread remains on the front side for now.

Work a Rose stitch into this square. It’s a good idea to place the first part of the Rose stitch in the direction you want to continue stitching later—i.e., the first partial stitch upwards if you want to work additional Rose stitches above; the first partial stitch to the left if you want to work additional Rose stitches to the left, and so on. This ensures that the square’s area is well covered.

After completing the first Rose stitch, move the needle diagonally one square to the top right

and from there work three Rose stitches to the left.

In the square above the third Rose stitch and the one to the left of it, embroider two more Rose stitches, then emerge one square diagonally to the top right

and from there, work three Rose stitches to the right. After completing the third Rose stitch, emerge one square diagonally to the top left.

In this square work one Rose stitch and then move the needle diagonally one square to the right and two squares down.

From there, work two Rose stitches to the right and then move the needle one square up and two squares to the right.

To ensure that the surrounding squares remain well defined and open, the working thread is slided through a Cable stitch on the back.

The first element of the pattern is complete. From the new starting point, stitch Rose stitches diagonally to the top left.

four in total.

A second,

a third and

a fourth row of four Rose stitches each follows. This completes the second element of the pattern.

Move the needle diagonally one square to the right and two squares down and start embroidering the first element from there.

On the diagonal, element 1 and element 2 alternate constantly. If the first thread is too short and is secured, the starting thread can also be pulled to the back and secured there.

A very beautiful pattern is created,

which appears particularly effective in large areas, as here on a tablecloth from 1927.

Filling Pattern – No. 580

Filling Pattern – No. 580

category: Limet-Filling pattern
linen used: 13.5/cm thread count
threads used: coton à broder No. 20
stitches used: Satin stitches and parts of square eyelets
center: intersection of withdrawn thread lines (in other shapes or motifs longitudinal axis = withdrawn thread line)
one pattern segment: 20 fabric threads

This pattern for larger motifs can be used for shapes both on the straight of grain and shapes on the bias.

The filling pattern shown here is a practice exercise only. You can see it used in a shape at the end of this article.

First, establish a Limet grid with an intersection of withdrawn thread lines at the center by alternately cutting 1, leaving 3, vertically and horizontally.

Mark around the center point by working Satin stitch bars around an area of 4 X 4 squares (the center point situated directly in center).

Continue working Satin stitch bars over one square (3 threads) in the width and 4 squares (12 stitches) in the length in a stair-step manner

until the entire shape is filled.

Free squares of 4 x 4 small squares have been formed. Square eyelet parts are embroidered into these. Worked is counterclockwise with 56 stitches.
Starting from a corner point, emerge the needle one square(3 X 3 fabric threads) diagonally inwards

and *wrap this corner square

with 7 Satin stitches, each starting from the same point. The working thread is moderately tensioned after each stitch so that it lies smoothly but does not pull any fabric threads together.
After the seventh stitch, bring the needle to the center of the 4 X 4 squares.

From there work 7 stitches between the center and the edge directly next to the previously worked stitches, moving one fabric thread further along the edge with each stitch.

After the seventh stitch, bring the needle straight down one square*

rotate the work 90° clockwise and repeat steps (*)

three times in all.

After the 56th and final stitch, bring the needle to the first emerging point of the next 4 X 4 square by sliding the working thread on the back through existing stitches,

and then work as established until the entire shape is filled

I called this arrangement of quarters of the simple square eyelet and 7 stitches of the double square eyelet “gingerbread” because the formation reminds me of the Christmas pastries popular in Germany.

This pretty pattern can also be embroidered into motifs on the bias, as shown here with the tulip.

To do this, however, you have to prepare the Limet thread grid accordingly. Details can be found in this article

Then continue in the established way.

Now I wish you an enjoyable time. I’m going to take a break now and then get back to you with a newsletter.