Poppy

Poppy motifs as a wreath design

In our region the poppy has just started to bloom. The beautifully lit fields, visible from afar, attract thousands of visitors every year. There is something magical about poppy flowers. Maybe it’s the impressive play of colors, but probably the entire interesting plant that provides insects with plenty of food.

I am also fascinated by poppy flowers. The orange-red appearing poppy fields,

the scarlet flowers of the Turkish poppy, the pink ones of the opium poppy or the tones of the new varieties – they all have something special.

Poppy is one of the oldest cultivated plants in Europe. However, it has not yet played a role as a motif in Schwalm whitework.

To change that, I commissioned the designer Christa Waldmann to design a wreath motif with poppies. She has succeeded in doing this exceptionally well: be it the massive outflow of the petals that are “wrinkled” together when the buds burst open.

Be it the delicate and ever-so-perishable petals of the opened flower,

the numerous fine stamens with their threads and sacs, which are grouped around the pistil

or the majestic appearing seed capsules.

She skilfully put everything on paper with sweeping lines and recorded it as an outline drawing. The delicate leaves are also present.

The wreath has a diameter of approximately 54 centimeters. It will be my next larger embroidery project. With its rather playful motifs, it is a completely different design than the Schwalm Band pattern.
As with all designs for which you don’t yet have a template, embroidering them will be a nice little challenge. Sometime later I will share the results with you.

Delicate Poppy and Noble Linen
Tablecloth for all Seasons – June: Poppy Flower

Schwalm Band (8)

Filling Patterns of Section 4 b I

The second bird’s belly gets a thread withdrawing of 3:1,

and is decorated with the square eyelet pattern “Plumage” (Limetrosen I, page 15) using coton à broder No. 25).

The wing is filled with slanting Blanket stitches (coton à broder No. 16), which are embroidered with some space between them.

The sides of the bellflowers receive slanted Daisy stitches, the middle parts each have a daisy stitch, which is secured with three stitches (coton à broder No. 20). This makes these bellflowers look completely different than those shown in the previous section.

The area of ​​the oval is relatively small. In order for a filling pattern to work well, thread withdrawing is made 2:1.

The area is filled with Diagonal Cross stitches (coton à broder No. 20).

This means that the next short section also has its filling patterns.

Schwalm Band – Outline Design
Schwalm Band (1) Design Transfer
Schwalm Band (2) – Preparatory work of section 5
Schwalm Band (3) – Preparatory work of section 4
Schwalm Band (4) – Preparatory work of the sections 3 – 1
Schwalm Band (5) – Filling Patterns of Section 5 II
Schwalm Band (6) – Filling Patterns of Section 5 I
Schwalm Band (7) – Filling Patterns of Section 4 b II

Awarding of the Certificate of Honor

It is with great pleasure and also a little pride that I announce that the Hessian Minister for Science and Research, Art and Culture – Mr. Minister of State Timon Gremmels – has awarded me the Certificate of Honor for Art and Culture.

This honors my contributions to the cultural tradition of Schwalm whitework. Such certificates have been presented since 1993 for the consolidation and further development of culture in Hesse. It acknowledges my tireless commitment to practicing the valuable tradition of handcraft and passing it on to future generations.

In a solemn ceremony at this year’s Hessentag in Fritzlar, I was given a big stage.
A moderator skilfully led through the initial conversation before Minister Gremmels gave his laudatory speech and presented the certificate of honor to a grateful recipient.
Several members of the state parliament also took part in the event.
The photographer Nicolas Wefers captured the event in pictures:

Schwalm Band (7)

Filling Patterns of Section 4 b II

The circle lends itself to a needlelace pattern. Since it is much easier to work needlelace over intact fabric, the fabric in the center of the circle is not cut away for now. First, markings are made – a circular line approx. 4mm from the outline. The inner circle is divided into eighths, with every other line following the grain and the others lying diagonally in between. All eight lines are marked at the same distance from the center.

Using coton à broder No. 16, Buttonhole stitches (not simple Blanket stitches) are first embroidered between the outline and the circular line.

Then threads are stretched three times over the straight lines and wrapped tightly on the way back without picking up the fabric. Even with further stitches, the fabric must not be accidentally picked up. The resulting center point is circled twice with needleweaving stitches.

At the level of the markings, the straight bars are connected in a circle in two rounds of laid threads. These connecting sequences form the basis for the needlelace pyramids. Start with five Blanket stitches. Work in back and forth rows, each time reducing by one Blanket stitch. The tip is attached to the Buttonhole stitches on the edge, the working thread is returned to the base along the edge of the needlelace pyramid. In the next section, the next needlelace pyramid is worked in the established way. Once all eight needlelace pyramids are finished, you can carefully cut away the fabric from the back of the work. The double knot of the Buttonhole stitch would hide the raw edge.
I decided to leave the fabric.

How to work the needlelace pyramids can also be found in my publication Schwalm Needlelace edge decorations – easily embroidered .

If you don’t have much practice with needlelace pyramids, it’s good to work with thick thread. Then you can tell the individual stitches better apart. Coton à broder No. 12 would also be possible – if available.

The tip above the circle is given a pattern without thread withdrawing: slanted, opposite Blanket stitches with a little space and with the loops along the center line (coton à broder No. 20.

The bellflowers also have a pattern without thread withdrawing. I chose closed herringbone stitch (also called closed feather stitch) (coton à broder No. 25). I also like to use this stitch to represent wide stems.

The first large heart should have an openwork pattern. The thread is withdrawn 2:2 and the thread grid is secured with Cable stitches (coton à broder No. 30).

I actually wanted to embroider a pattern with a diagonal structure (pattern 128 or 132 from Openwork Needleweaving Patterns). But then I decided on pattern 72 because the slant of the pattern fits better to the outline of the heart.

So section 4 b II has already received filling patterns.

Schwalm Band – Outline Design
Schwalm Band (1) Design Transfer
Schwalm Band (2) – Preparatory work of section 5
Schwalm Band (3) – Preparatory work of section 4
Schwalm Band (4) – Preparatory work of the sections 3 – 1
Schwalm Band (5) – Filling Patterns of Section 5 II
Schwalm Band (6) – Filling Patterns of Section 5 I

A Small Exhibition

Elisabeth Erdmann leads an open whitework and lacemaking circle in Karlstadt, where women meet once a month on the first Saturday to work together. Up to 20 active people then come together to indulge in their hobby. Newcomers join us every now and then to get a taste of the subject matter and learn something so that they can one day pass on their knowledge themselves.

For International Museum Day on May 19, 2024, there was the opportunity to to provide a small but fine exhibition of whitework in the Museum Prassek-Scheune in Kreuzwertheim .

Elisabeth took the opportunity to present skillfully beautiful,

mostly elaborately embroidered exhibits

in the special ambience of the museum.

So many visitors to the museum in Bavaria had the opportunity to get to know the noble Schwalm whitework on this day. They were thrilled by the effect of the diverse designs and patterns. Such individually stitched embroidery are impressively displayed not only in the special ambience of a museum, but also in a state-of-the-art domestic facility.