Schwalm Whitework – What is it and How is it Done?

Schwalm Whitework – What isit and how is it done?

October 17 is the International Day of Intangible Cultural Heritage. Bearers are encouraged to use this day to showcase their respective cultural heritage.

Therefore, this blog post will briefly explain to interested visitors what Schwalm whitework is, how it is worked and what huge possibilities for individual design it offers.

The embroidery got its name because it flourished in the small Schwalm region of Hesse, Germany, and survived there for centuries.

Schwalm whitework is worked with white thread on white linen. It is still not machine-produced today. It is a combination of different techniques.

To begin embroidery, one first needs an outline pattern. This consists of large motifs of simple shapes and small elements in the spaces between them.

The fabric remains undamaged in the spaces between the motifs. It is covered with decorative stitches — so-called surface embroidery.

Within the motifs, threads are taken from the fabric. The number depends on the intended pattern that will be stitched into the resulting grid. This technique is called withdrawn-thread embroidery.

The third technique used is cut work. Here, the fabric within the motifs is completely cut away and replaced with embroidery stitches — so-called needlelace.

One only needs to know 13 different stitches to perform Schwalm whitework. By combining these stitches, however, one can access a treasure trove of approximately 1,000 filling patterns. This enormous variety, combined with the infinitely variable outline patterns, makes the embroidery so varied and incredibly interesting.

Depending on one´s mood, one can embroider small items, tackle larger projects, create outstanding embroidery, or even work on collaborative projects.

The career of withdrawn-thread embroidery, the necessary stitches and the difference between the filling pattern categories

First, the outlines of the desired motif must be transferred onto the fabric.

There are various options for this:
• Iron on using an iron-on transfer pencil
• Recording using a Light-Pad and a water– or heatsoluble pen
Pressing or prickingwith blue carbon paper
Printing using a stencil

(See also: Schwalm Band (1) Design Transfer )

First, all lines are covered with stitches, as they may fade or disappear over time.

One uses coton à broder thread and work with three, sometimes four different thread weights, depending on the fineness of the fabric.

Using the thickest thread, first work the Coral Knot stitches over the main outlines, the stems and tendrils. These serve both to define the outliness and to secure the fabric edges of the motif during subsequent thread withdrawal.

(Since it would be too long to explain all the stitches in detail in this blog post, you will soon find a separate blog post for each stitch.)

Rounded leaves are usually worked with Blanket stitches, as are semicircular arches (so-called scallops), small circles (so-called eyelets) and triangular points (so-called knife points.

In addition to rounded leaves, Schwalm whitework also includes small pointed leaves, which can be embroidered divided or undivided, and heart-shaped leaves. All of these are worked with Satin stitches.

Once all lines have been covered with stitches, one can begin designing the motif areas.

Decorative stitch borders – here: “Blanket stitch half-eyelets” – make the motifs appear more pleasing, but do not necessarily have to enclose all shapes.

In order to cover the ends of the fabric threads that will later be withdrawn, Chain stitches are embroidered close together within the Coral Knot stitches.

To prepare withdrawn-thread patterns, fabric threads are pulled out from the back of the work within the motif areas and cut close to the Chain stitches.

There are three types of withdrawn-thread patterns – simple and double withdrawn-thread patterns. The latter are divided into Limet- and openwork patterns.

For a simple withdrawn-thread pattern – either vertically

or horizontally – every fourth fabric thread is pulled out.

In the ground prepared in this way, one mainly embroiders Wave stitches and

Honey Comb Darning stitches as well as

Satin stitches in “bars” or combinations of these stitches.

For a Limet withdrawn-thread pattern, one usually removes every fourth thread both horizontally and vertically.

The resulting Limet grid is primarily stitched with Four-Sided stitches, Diagonal Cross stitches, Rose stitches, Square Eyelets, and Satin stitches. Combining these stitches results in a huge number of different filling patterns, which can create completely different appearances.

Construction of a Rose stitch grid in the Limet ground

Finished Limet pattern with Rose stitches and Square Eyelet parts

Limet pattern with Four-Sided stitches and Rose stitches

Limet pattern with Satin stitches and Rose stitches

Limet pattern with Four-Sided stitches and Rose stitches

Limet pattern with Satin stitches, Four-Sided stitches and parts of Square Eyelets

Limet pattern with Rose stitches and Herringbone stitches

For an openwork pattern, threads are pulled out in pairs between two remaining threads – both horizontally and vertically. Removing half of the fabric threads makes the fabric translucent, or “light” and open.

Some patterns are embroidered directly into this openwork grid,

Openwork pattern with Cable stitches and Rose stitches

mostly, however, the grid is completely secured with Cable stitches.

In the openwork grid with Cable stitches usually , Needle-Weaving stitches

or Rose stitches

or combinations of both are embroidered.

There are several hundred openwork patterns.

In addition to the endless patterns shown above, openwork grids with Cable stitches in the Schwalm are also often decorated with figurative patterns.

Stars and

hearts

play a big role here, but tulips, birds and other animals as well as males and females can also be found.

In combination with the extremely large number of Limet patterns and the variety of simple withdrawn-thread patterns, one can choose from almost 1000 different area filling patterns.

With the endlessly variable outline patterns, the wide range of area filling patterns and the type of objects to be embroidered, every stitching project can become absolutely unique.
This possibility is once again highly valued today.

The health benefits shouldn’t be overlooked either. Being able to hold a tangible result of one’s work in one’s hands at the end of the day strengthens the psyche. Using both hands is important for maintaining brain function.

An overview of possible Schwalm whitework designs can be obtained through the thumbnails. Clicking on an interesting image will take you deeper into the respective subject matter.

Filling Pattern – No. 583

category: simple drawn thread filling pattern
linen used: 13.5/cm thread-count
threads used: coton à broder No. 20
stitches used: Wave stitches
horizontal center axis: withdrawn thread line

First, remove the center fabric thread in the direction in which the pattern will later run.

Starting from the resulting withdrawn thread line, leave always 5 fabric threads and withdrawt one.

Again starting from the center thread line, skip a 5-thread group and withdraw the middle one of the next 5-thread group.

Then skip two 5-thread groups at a time and withdraw the middle one of the next 5-thread group.

This creates an alternation of two 5-thread groups with two 2-thread groups each.

Starting in the middle (here rotated by 90°), now work Wave stitches over 6 fabric threads in width,

both via the 5-thread groups

as well as the 2-thread groups.

By alternating two high and two flat rows of mosquito stitches, an interesting, easy-to-embroider striped pattern is created. This can be used both horizontally

and vertically, depending on the desired effect.

This pattern was embroidered by Yasuko Kobayashi from Japan. She also gave me permission to share it here.
Thank you so much for sharing, dear Yasuko!

See also: See What My Readers Have Embroidered in 2016!

Filling Pattern – No. 568

category: simple drawn thread filling pattern
linen used: 13.5/cm thread-count
threads used: coton à broder No. 20
stitches used: Four-Sided stitches
horizontal center axis: four thread column

While working Filling Pattern – No. 567 I also found the pattern emerging on the back very interesting. So I tested it as a front pattern. The pattern shown below is a practice exercise only. You can see it used in a shape at the end of this article.

Because it’s the same pattern reversed, the prep work is the same. For the sake of simplicity I show it here again.
It makes sense to start in the middle. In addition to the 4 threads that remain, a pair of threads is withdrawn on each side.

Four threads are now alternately left on both sides of the withdrawn thread line and another pair of threads is withdrawn.

Rotate the work 90°, but do not turn it to the back side this time.
Four-Sided stitches are embroidered over the four middle threads from left to right, each bundling 4 fabric threads.

The Four-Sided stitches of the adjacent rows are worked staggered by 2 fabric threads.

This gives the remaining fabric threads of the withdrawn thread lines a zigzag alignment.

Securing the thread ends is done either under the edge stitches or in the back under the Four-Sided stitches.

The pattern is suitable for medium-sized areas.

I embroidered it in a tulip (here 16/cm thread count linen and No. 25 coton à broder).

I find the combination with the Wave stitch appropriate, as can be seen here in the tip of the tulip.

Variations can be achieved by using finer thread or – as here – by withdrawing one or two more threads.

Filling Pattern – No. 567

category: simple drawn thread filling pattern
linen used: 13.5/cm thread-count
threads used: coton à broder No. 20
stitches used: Four-Sided stitches
vertical center axis: four thread column

The pattern shown below is a practice exercise only. You can see it used in a shape at the end of this article.

It makes sense to start in the middle. In addition to the 4 threads that remain, a pair of threads is withdrawn on each side.

Four threads are now alternately left on both sides of the withdrawn thread line and another pair of threads is withdrawn.

Rotate the work 90° and turn it to the back side.
Four-Sided stitches are embroidered over the four middle threads from the back and from left to right, each bundling 4 fabric threads.

The Four-Sided stitches of the adjacent rows are worked staggered by 2 fabric threads.

This gives the remaining fabric threads of the withdrawn thread lines a zigzag alignment.

From the front, it looks like this:

Securing the thread ends is done either under the edge stitches or under the crosses of the Four-Sided stitches.

The pattern is suitable for medium-sized areas.

I found this pattern in a border of a parade cushion from 1821. Here it fills the basket motif in combination with Satin stitch bars.

I embroidered it in a tulip (here 16/cm thread-count linen and coton à broder No. 25 ).

I find the combination with the pattern that is created when you embroider the Wave stitch from the back appropriate, as can be seen here in the tulip point.

Modifications can be achieved by using finer thread – like here No. 25 on 13.5/cm thread-count linen – or by withdrawing one or two more threads.

Filling Pattern – No. 562

category: simple drawn thread filling pattern
linen used: 13.5/cm thread-count
threads used: coton à broder No. 20
stitches used: Wrap stitches
horizontal center axis: quadruple withdrawn thread line

The flower motif with the openwork leaves is found on the Schwalm Parade Cushion Border (B).

As you can see from the detail of the original embroidery, it is a kind of staggered pea holes, which do not have Four-Sided stitches as a basis, but consist exclusively of wrap stitches.

I have tried different ways and recommend embroidering the pattern as described below.

Alternate withdrawing 4 fabric threads in one direction and leaving 2 in between. The pattern builds up from the bottom right to the top left.

To do this, wrap around 6 fabric threads of the lowest wide withdrawn thread line 3-4 times.

*Then slide the needle diagonally to the top left under the horizontal pair of fabric threads to the next withdrawn thread line and bring it up between the third and fourth thread of the bundle.

Repeat the stitch once,

return to the starting point and slide the needle under the wrapped bundle of threads to the opposite side.

From there, the needle is led diagonally to the top right crossing over the horizontal pair of threads, inserted again between the third and fourth thread of the bundle and emerges again at the starting point.

Once again, the needle is led diagonally to the top right crossing over the horizontal pair of threads, inserted again between the third and fourth threads of the bundle. This time bring the needle up 6 fabric threads to the left.

The 6 fabric threads lying on the needle form the next bundle. But before you can wrap it, you have to connect the left 3 threads to the underlying pair of threads.
To do this, the needle is led diagonally over the pair of threads to the bottom right, inserted next to the wrapped bundle and brought up again at the starting point.

This stitch is also repeated once,

to then wrap the two bundles of 3 threads together.*

Repeat the steps of working(*).

Reaching the top edge, turn the work 180° and embroider the next row next to the first.

In the places where the thread pairs are already wrapped, these steps can be omitted.
Some rows – not all – move close to the previous one. You can move the bundles slightly with the needle tip to achieve even distances.

In this way, an airy pattern is created that is suitable for filling not too large areas.