Tendrils are a common and important design element. They are symbols of life cycles and stand for changes and transition.
Our lives are changing enormously at the moment.
The spiral of the snail shell reminds one of the spirals of tendrils.
Snails retreat into their homes in case of danger and do not stretch their feelers again until the threat seems to be over.
So what could be more perfect today than to embroider snail “houses.”
The artist Gudrun Hartwig drew different snail shell designs for me.
Here is one of those designs:
Transferring the design one should keep in mind that it does not appear mirrored. The spirals of snail shells always turn counterclockwise. Not all lines of the wall structure must be transferred; this will only be confusing when stitching. For orientation the main lines and the length of the lines are enough.
Starting on the outside, I embroidered Chain stitches along the spiral line.
Starting with heavier thread, I changed to finer thread after approximately each round. This enables one to work the center of the spiral exactly.
The fine lines of the wall texture were embroidered with Stem stitches using coton à broder No. 30.
Snail “houses”, snails, and other crawlers are well suited to be included into a sampler.
This example shows one possible way to depict a snail shell.
Another possibility will follow.
Having a look around the shops, I found hangings decorated for Easter – simple to rework with a touch of embroidery.
They are made from wooden discs and wooden beads alternately strung on a rustic thread
with a metallic Easter egg randomly placed between.
Taking a thick branch from my garden and using a small saw and a thin drill bit, I easily got the required discs. I had some beads on hand.
I replaced the metallic eggs with small embroidered Easter eggs. I used the design presented here and embroidered white eggs using filling patterns No. 540
and “Kronjuwel” from the book Limetrosen II.
After boiling, the embroidery was heavily starched so that the cut piece holds its form.
I used a continuous white thread, because I found the big knots distracting,
and alternately strung beads, wooden discs, and embroidered Easter eggs on it.
Illuminated from behind, as when placed on a window, the embroidery takes on an especially beautiful effect.
One can create short hangings with only one egg or longer hangings with a couple of eggs.
I have shown cutout hearts, mounted on slate hearts and mounted in metallic frames. This year’s Valentine’s Day hearts will be mounted in heart-shaped wooden frames originally made for displaying photos.
First, the opening of the frame is traced onto paper.
A heart design is drawn to fit the shape (but notice that the embroidered heart must be smaller than the frame opening). I wanted the pattern to be cute, so I incorporated many small leaves and Eyelash stitches.
Handwoven linen with its natural colour and its distinctive structure is the right fabric for this project.
Very soon both embroideries were finished, washed, starched, and ironed.
The image below shows how different the two embroideries look with and without wadding. The embroidery on the right, with wadding, is much more prominent.
A layer of poly fleece was placed on the back of the embroidery.
The fleece was secured by stitching along the Coral Knot line.
With a red background the heart duo is a nice decoration for Valentine´s day;
with a neutral background the hearts become a pretty all-year decoration.
At the beginning of 2017, I received a picture from Yoko Miyamoto from Japan. Since 2017 is the year of the cock, she embroidered a nice picture of a weathercock. Isn´t it beautiful?
Cocks, hens, and birds were popular designs with my readers this year.
Bettina Limburger from Germany sent me a picture of her Easter “tree.” It is lovely with a couple of embroidered eggs made in natural colours from my 24 small designs.
Marina Pastushenko from Turkey and her friend Kate Vasilieva amaze me with their perfectly embroidered variations of French Hens.
Both speak Russian and now teach Schwalm whitewotk in Russia! They also attend a craft fair in Moscow and show Schwalm embroidery there.
Their Russian-speaking students know very little about Schwalm embroidery, but they already love it! Also, the projects of their students are worth seeing.
I am particularly impressed with the work of Cindy Russell from the United States. First, she sent me a beautiful two-sided ornament of a Happel Heart.
She wrote, “In preparation (practice, practice!) before doing a large Schwalm piece, I´ve been working on a series of heart ornaments. They are admired by everyone who sees them, and they are very fun to do.”
I have never seen such a finishing technique before, so I asked her how she did it. She told me, and at once I ordered a circle cutter – I am ashamed to admit that so far it is unpacked!
Cindy not only gave me directions, but she also promised to make a clean and clear description.
She d i d!
Some weeks later I received the document, and what a document it is – the steps are explained exactly and with great detail accompanied with clear pictures.
She gave me permission to publish the pdf document on my blog so that all of you can easily download it for free. Hasn’t Cindy given us a very special present for the start of the New Year?
She wrote, “If anyone has questions they are welcome to ask.”
Her email-address is included on the downloadable document.
A hearty “Thank You” to Cindy and all the others for sending pictures of their progress. And thanks a million to those who gave me permission to feature their projects in this blog post.
To all I wish limber fingers, keen eyesight, and plenty of time for the most beautiful stitching moments.
Happy New Year!