Filling Pattern – No. 471

No. 471
category: Limet-Filling pattern
stitches used: Rose stitches and 7 stitches of the simple square eyelet
diagonal striped pattern
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First, in the established Limet grid, one row of Rose stitches is worked along the diagonal axis using Coton à broder No. 25.
Then, using Coton à broder No. 30 and always starting at the meeting points of two Rose stitches, 7 stitches of a simple square eyelet are worked counterclockwise. For more detailed description please refer to my book “Limetrosen I”.

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On the return pass, one more row of 7 stitches of the simple square eyelet is worked – each step is worked mirrored and staggered so that the stitched sections interlock.
And then another Rose stitch row is worked.

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One Rose stitch row and two rows of interlocking square eyelet sections always alternate.

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After laundering, starching and ironing the pattern gets its full charm.
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This pattern looks nice in many different shapes.
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Filling Pattern No. 470

No. 470 (hearts No. 1)
category: Openwork pattern with Cable stitch grid
stitches used:: Needleweaving over 1, 2, 3, 4 and 5 squares; changing the direction
center: square
material used: 20/cm thread-count Weddigen linen
Coton à broder No. 20 (Coral Knot stitches and Needleweaving), No. 30 (Chain stitches and Cable stitch) and No. 25 (half-eyelet scallops)

In Schwalm whitework it is also common to fill openwork cable stitch grids not only with endless patterns, but also with figures: manikin, birds, tulips, stars and, of course, hearts.

Hearts are mainly worked as quartets within circles. Usually, the hearts are stitched with Needleweaving, sometimes with Rose stitches, and rarely with a combination of Rose stitches, and Needleweaving.

There are smaller and wider heart patterns. You should always use a pattern that matches the number of squares in your grid. It is not attractive when the edge of a heart is not fully visible. It is better that there are unworked squares around the heart quartets.

Starting at the centre, always alternate withdrawing and leaving two vertical threads. Do the same with the horizontal threads. So that the heart quartet looks pretty and turns out well, it is necessary to place it right in the middle (with the same number of squares to the right as to the left). If your linen is not absolutely evenweave, it is better to ascertain the centre by counting and not by measuring.
1-470The established grid is stabilized with Single Faggot stitches – which is simply Cable stitch from the front – worked from the back side of the fabric. (Please look here for an example of a partially worked grid.)
2-470The linen used in this example was not evenweave, so my established grid has 23 squares along the horizontal axis and 25 squares along the vertical axis. So I chose a pattern running over 19 x 19 squares. It has the following chart:
3-470The golden squares are filled with Needleweaving. (It is also possible to work all with Rose stitches, but then the pattern will appear somewhat different.) The black lines show the direction of the needleweaving.

Starting at the center – marked red – work outwards, following the chart. When the pattern divides, work first along one side
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and then across the middle part to the opposite side
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until the first heart is formed.
6-470Always out from the center, weave in the 3 remaining hearts, always following the chart. Finished it looks like this:
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Washed, starched and ironed the pattern gets its full charm.
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Filling Pattern – No. 469

No. 469
category: Limet-Filling pattern
stitches used: Satin stitches over 1 square in the width and 2 squares in the length and Double Back stitches
longitudinal axis: withdrawn thread line (in other shapes or motifs: center = intersection of withdrawn thread lines
name: Double Back stitch in a Satin stitch grid

It is expedient to begin thread withdrawal for the Limet grid in the prepared leaf design here:
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First, in the established Limet grid, work a grid of Satin stitches. Start at the bottom-middle of the shape. Work, in a stair-step manner, Satin stitch bars over one square (3 threads) in the width and over 2 squares (6 stitches) in the length.
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On the way back work the bars mirrored, so that squares of 6 X 6 thread-squares are established.
Work the grid all over the shape.
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Then, from the back of the fabric, work Double Back stitches (a more detailled description is found in Openwork Pattern Samplers, pages 48 – 52) in the remaining squares. Therefore, starting at the top left, work 8 stitches following carefully the step-by-step pictures.

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Now, bring the needle – from right to left – between the layers of the fabric and the stitches and pull the working threads of the stitches together with a Blanket stitch – thread under the needle. Do the same from top to bottom.

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9

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Travel to the starting point – top left – of the next Double Back stitch and repeat the steps. Picture 12 shows the result from the front of the fabric.

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All remaining squares are filled in the same way. To get a uniform appearance, work the rows of Double Back stitches always from top to bottom.
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Washed, starched and ironed the pattern gets its full charm.
This example was worked on 13.5/cm thread-count Weddigen linen with Coton à broder No. 20.
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Röserich Filling Patterns

Filling Patterns No. 452 – 468: Röseriches
category: Limet-Filling patterns
The “Röserich” is one of the most prominent stitches in Schwalm Whitework. The name itself, Röserich, denotes importance and grandeur. It is often combined with other stitches to make stunning filling patterns, but it is also seen alone.

The most famous and most prevalent variant is the pattern shown on the picture on bottom.
The Röserich patterns are effective in different shapes. They are a little bit intricate, but following the steps carefully the design will turn out well.
Working on this project, I experimented and discovered more and more nice Röserich patterns – very different, but always beautiful. There are patterns for small shapes as well as large shapes, striped patterns, patterns worked on the straight of grain or on the bias, and patterns suitable for circles – 17 different patterns in all (some presented in two different variations)!

So, I decided to make a downloadable booklet to present the different Röserich variants in great detail and with step-by-step instructions, and to share with you the patterns that I discovered. I know you will want to learn more about this grand and important Schwalm Whitework stitch!

Please note that it is assumed the embroiderer is already familiar with the basic Schwalm Whitework stitches. If you need those instructions, please see “Basic Principles of Schwalm Whitework”.

The most beautiful Röserich Filling Patterns described in great detail and illustrated with step-by-step instructions 25 pages 17 different patterns 15.1 MB file size Text: English 15,00 EUR download here

The most beautiful
Röserich Filling Patterns
described in great detail and illustrated with step-by-step instructions

25 pages
17 different patterns
15.1 MB file size
Text: English

15,00 EUR

download here

Filling Pattern – No. 451

No. 451
category: Limet-Filling pattern
stitches used: Satin stitches over 1 square in the width and 3 squares in the length, 4 X 9 stitches of the simple square eyelet and Four-Sided stitches
longitudinal axis: group of three threads (in other shapes or motifs: center = square)

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First, in the established Limet grid, work a grid of Satin stitches. Start at the bottom-middle of the shape. Work, in a stair-step manner, Satin stitch bars over one square (3 threads) in the width and over 3 squares (9 stitches) in the length.
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On the way back work the bars mirrored, so that squares of 9 X 9 thread-squares are established. Work the grid all over the shape.
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Then work parts of the simple square eyelet. Therefore, starting at the corner points of the center square, work 9 stitches around the corner
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by always coming up in the corner point of the center square, moving outwards and always traveling one thread – 5 stitches to the corner and 4 stitches along the adjacent side. After 9 stitches bring the needle up in the next corner point.

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When all four corners are worked, the needle moves to the opposite corner to start there working a Four-Sided stitch around the center square.
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To keep the corner holes around the Four-Sided stitches clear and open, the working thread is tightened to bundle the fabric threads of the center square.
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All remaining squares are filled in the same way.
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Washed, starched and ironed the pattern gets its full charm. This example was worked on 17/cm thread-count old handwoven linen with Coton à broder No. 20.
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