Schwalm Whitework – the exhibition goes on

Ausstellung | exhibition
From the beginning of June through the end of August, the exhibition noble & white attracted many kind visitors to Eschwege and engaged them. The exhibition started off slowly with only a few visitors, but the numbers steadily grew throughout the exhibition’s run. Interested visitors came from all parts of Germany, often having to travel a distance of many hundreds of kilometers; they also traveled from Italy, Switzerland, France, the Netherlands, Lithuania, the United States and Japan. Everyone was struck with the beauty of the presentation and were enthusiastic over the variety of the embroideries on display.

To everyone who made the trek to Eschwege this summer to see my exhibition, thank you from the bottom of my heart for the many good conversations, the productive shop-talks, the compliments and the approval.

Although I did not skimp on public relations and advertising, it has come to my attention that a great number of embroiderers learned about the exhibition too late. They long to see it!

Now I will give them the chance.

The pieces, which were on loan for the noble & white exhibition, have been returned to their owners. The resulting gaps have been filled with other exhibits very worth seeing. So, I now can present a slightly restructured, but still big and interesting, exhibition which I will open for visitors at pre-arranged times. To address the individual needs, I will open the exhibition through special request only. Please note: the exhibition’s summer 2014 hours are no longer valid.

Please send me an email to schedule your special and private viewing of this wonderful exhibition.

The entry price for such a private and special view of the exhibition with 100 % of my attention is:

1 person 12,00 €
2 people 9,00 € per person
3 people 7,00 € per person
4 people 6,00 € per person
5 or more people 5,00 € per person

Gradually, I will develop my museum into a center for Schwalm whitework. To some degree, it is already transpiring since nowhere in the world is there

  • so many different Schwalm crowns shown in one place
  • so many different filling patterns to be seen in one exhibition
  • so many different pieces of contemporary Schwalm whitework gathered into a permanent exhibition
  • such a large and marvelous whitework sampler, made by a single embroiderer

Truly a worthwhile visit!

interesting links

Now and then browsing through the internet, I find some interesting websites. Perhaps you, too,
will enjoy visiting these needlework related websites. (They are listed in no particular order.)

http://needlenthread.com/
text: English

http://avomeri.me/
text: Portuguese and English

http://www.theunbrokenthread.com/blog/
text: English

http://merklapperie.blogspot.nl/
text: Dutch with translation option

http://fils-aiguilles-passion.blogspot.tw/
text: French, English, Dutch

http://piaceredelricamo.blogspot.it/
text: Italian

http://gritslife1.blogspot.de
text: German and English with translation option

http://www.stickkurs.de/html/techniken.html
text: German

Tablecloth for all Seasons – August: Sunflowers

In August the summer climaxes. At this pinnacle, nature once again puts on a show with beautiful flowers of endless diversity. Sunflowers can be seen everywhere – in some places entire fields are turned into golden carpets, and in others a single tall specimen reaches to the sky.
Sonnenblume | sunflower aSo, I chose the sunflower for August.
2014-08-30_pdf
Originally the shape measures 14 cm in diameter.
Sonnenblume | sunflower cFirst the line drawing has to be transferred onto paper using an iron transfer pencil. The circle turns out better if one uses a round template, pair of compasses, or a glass rim of the correct size.
Depending on the desired decoration at the inner edge of the petals, one or more rings can be arranged. If using more than one ring, the area of the innermost ring can be embellished with a filling pattern. The space between the outermost ring and the petals can remain unembroidered.
However, the area between the outer and inner rings can be filled with ornamental stitches (for example curved lines or “Kerrercher”) or with a narrow filling pattern (for example Cable stitch). An idea is to use three (or more) rings and to cover these with Coral Knot stitches. Or, perhaps, only the outside ring is used so to accommodate a spacious filling pattern.
Sonnenblume | sunflower dOn Weddigen linen, 13.5/cm thread count, Coral Knot stitches were worked along the circle line(s) using Coton à broder No. 16. Using Coton à broder No. 20 Chain stitches were worked a small distance inside the lines of the petals. The Chain stitches were covered with densely worked Blanket stitches, also using Coton à broder No. 20. So that the blanket stitches do not get too long, a small space in the middle of the petal remains unembroidered.

Using Coton à broder No. 30 Chain stitches were worked directly inside the Coral Knot stitches.
The shape was filled with the pattern “sunflowers” (Limetrosen II, pages 86-89). Many other filling patterns are also suitable for this motif.
Sonnenblume | sunflower eAfter finishing, the embroidered piece was washed (boiled), starched and ironed. Then, the sunflower was cut. If needed, such closely trimmed embroidery can be washed and ironed – quick and easy – at any time, but never spun in a washing machine!
Sonnenblume | sunflower fAlready with four or five such sunflowers one can establish a nice decoration.
Sonnenblume | sunflower gUsing some more sunflowers one can get a small wreath.
Sonnenblume | sunflower hCombined with leaves in a band or a wreath looks even prettier.
Sonnenblume | sunflower iAlso small groups can be nicely arranged.

Filling Pattern – No. 451

No. 451
category: Limet-Filling pattern
stitches used: Satin stitches over 1 square in the width and 3 squares in the length, 4 X 9 stitches of the simple square eyelet and Four-Sided stitches
longitudinal axis: group of three threads (in other shapes or motifs: center = square)

451 j
First, in the established Limet grid, work a grid of Satin stitches. Start at the bottom-middle of the shape. Work, in a stair-step manner, Satin stitch bars over one square (3 threads) in the width and over 3 squares (9 stitches) in the length.
451 a
On the way back work the bars mirrored, so that squares of 9 X 9 thread-squares are established. Work the grid all over the shape.
451 b
Then work parts of the simple square eyelet. Therefore, starting at the corner points of the center square, work 9 stitches around the corner
451 c
by always coming up in the corner point of the center square, moving outwards and always traveling one thread – 5 stitches to the corner and 4 stitches along the adjacent side. After 9 stitches bring the needle up in the next corner point.

451 d
451 e
451 f

When all four corners are worked, the needle moves to the opposite corner to start there working a Four-Sided stitch around the center square.
451 g
To keep the corner holes around the Four-Sided stitches clear and open, the working thread is tightened to bundle the fabric threads of the center square.
451 h
All remaining squares are filled in the same way.
451 i
Washed, starched and ironed the pattern gets its full charm. This example was worked on 17/cm thread-count old handwoven linen with Coton à broder No. 20.
451 j

Schwalm Designs (2) – Scallops (1)

The simple motifs are often enhanced with embellishment. So, a circle is seldom seen unadorned, and hearts are usually decorated.
The customary form of decorating simple Schwalm motifs is to outline the shapes with scallops; they look nice and they are easy to embroider.
Bogenverzierung | scallop design 01
The scallops are placed close together.

Circle outlined with uniform and evenly distributed half-eyelet scallops. The thread weight is correct, and the stitches have been worked with the appropriate density.

Circle outlined with uniform and evenly distributed half-eyelet scallops. The thread weight is correct, and the stitches have been worked with the appropriate density.

Circles are outlined with scallops of the same size, evenly distributed around the edge of the circle.
Heart outlined, except for the bottom and top center, with uniform and evenly distributed half-eyelet scallops. The thread weight is correct, and the stitches have been worked with the appropriate density.

Heart outlined, except for the bottom and top center, with uniform and evenly distributed half-eyelet scallops. The thread weight is correct, and the stitches have been worked with the appropriate density.

Also, hearts are outlined with such scallops. The scallop at the bottom of the heart should be drawn somewhat longer making it look almost teardrop shaped. It is best to start the line drawing here (at the bottom of the heart) and to work to the top in even steps on the right and on the left side of the heart. Meeting at top of the heart, either the scallop spacing needs to be adjusted or they are slanted a little bit.
Heart outlined with half-eyelet scallops. The thread weight is correct with appropriately dense stitches. Some of the scallops should be closer together and the bottom point should have only one scallop.

Heart outlined with half-eyelet scallops. The thread weight is correct with appropriately dense stitches. Some of the scallops should be closer together and the bottom point should have only one scallop.

It does not look very elegant to have two scallops meet at the lower heart point.
Heart outlined with scallops. The thread weight is correct and the density of the stitches is good. However, the treatment of the scallops at the heart’s lower point is not attractive.

Heart outlined with scallops. The thread weight is correct and the density of the stitches is good. However, the treatment of the scallops at the heart’s lower point is not attractive.

Also, the effect is not harmonious to have scallops becoming smaller at the heart’s lower point.
Tulip outlined with scallops utilizing the correct thread weight. The density of the stitches is not consistent. In this example, one can see that the embroiderer had difficulty distributing the scallops evenly – especially along the curved line at the top of the tulip.

Tulip outlined with scallops utilizing the correct thread weight. The density of the stitches is not consistent. In this example, one can see that the embroiderer had difficulty distributing the scallops evenly – especially along the curved line at the top of the tulip.

Tulips completely outlined with scallops are rare. It is difficult to distribute the scallops evenly –
especially along the curved line at the top of the tulip.
Tulip embellishment with half-eyelet scallops. The thread weight and the density of the stitches are both correct.

Tulip embellishment with half-eyelet scallops. The thread weight and the density of the stitches are both correct.

On very large tulip motifs a scallop embellishment along the sides and the bottom is often seen.
Tulip embellishment with half-eyelet scallops of differing sizes. The thread weight and the density of the stitches are both correct.

Tulip embellishment with half-eyelet scallops of differing sizes. The thread weight and the density of the stitches are both correct.

Smaller tulip motifs have scallops (if they have them at all) of differing sizes at the top edges,
Tulip embellishment with uniform half-eyelet scallops. The thread weight and the density of the stitches are both correct.

Tulip embellishment with uniform half-eyelet scallops. The thread weight and the density of the stitches are both correct.

and to achieve a more harmonious effect, a single scallop can be placed at the lower center of the tulip.
Tulip embellishment with uniform half-eyelet scallops. The thread weight and the density of the stitches are both correct. However, it would be more aesthetically pleasing to put a single scallop at the center point, rather than having two scallops meet there.

Tulip embellishment with uniform half-eyelet scallops. The thread weight and the density of the stitches are both correct. However, it would be more aesthetically pleasing to put a single scallop at the center point, rather than having two scallops meet there.

The scallops are worked with Blanket stitches, and the half-eyelet scallop is preferred. Blanket stitch half-eyelet scallops ease the attractive finish.
Heart outlined, except for the bottom and top center, with uniform and evenly distributed half-eyelet scallops. The thread weight is correct, but the density is not. The scallops should have more stitches.

Heart outlined, except for the bottom and top center, with uniform and evenly distributed half-eyelet scallops. The thread weight is correct, but the density is not. The scallops should have more stitches.

The scallops should be easy to stitch, that means they should not be too small, nor too large.
Scallops with a radius of 1 cm are perfect. Of course, the scallops must be in proportion to the motif – smaller motifs need smaller scallops. However, a scallop’s radius should not be smaller than ½ cm.
Circle outlined with uniform and evenly distributed half-eyelet scallops. However, they are too large. The thread weight and the density of the stitches are both correct. A larger scallop needs more stitches to become sufficiently covered; it is difficult to get an orderly appearance with so many stitches radiating from the same point.

Circle outlined with uniform and evenly distributed half-eyelet scallops. However, they are too large. The thread weight and the density of the stitches are both correct. A larger scallop needs more stitches to become sufficiently covered; it is difficult to get an orderly appearance with so many stitches radiating from the same point.

Circle outlined with uniform and evenly distributed half-eyelet scallops. The individual scallops are divided and worked with the appropriate thread weight, and the stitches have been worked with the appropriate density. The additional embroidered parts also utilize the correct thread weight.

Circle outlined with uniform and evenly distributed half-eyelet scallops. The individual scallops are divided and worked with the appropriate thread weight, and the stitches have been worked with the appropriate density. The additional embroidered parts also utilize the correct thread weight.

Larger scallops can be managed by dividing the individual scallops and embroidering both parts separately.
Circle outlined with uniform and evenly distributed scallops. The scallops have been embroidered using precisely placed Satin stitches.

Circle outlined with uniform and evenly distributed scallops. The scallops have been embroidered using precisely placed Satin stitches.

Sometimes scallops are also worked with Satin stitches. This needs much more practice than embroidering with Blanket stitches.
Circle outlined with uniform and evenly distributed scallops. However, the thread is too thin and the stitch density is not correct.

Circle outlined with uniform and evenly distributed scallops. However, the thread is too thin and the stitch density is not correct.

The thread should not be too thin and the stitches should lie densely together.
Circle outlined with fairly uniform and evenly distributed scallops. The thread weight is correct, but the Blanket stitches could be more dense.

Circle outlined with fairly uniform and evenly distributed scallops. The thread weight is correct, but the Blanket stitches could be more dense.