Schwalm whitework in the Aue Manor

Very close to Eschwege – in Wanfried-Aue – there is a manor with a manor house and extensive farm buildings that is well worth seeing.

Unfortunately, the ensemble was left to fall into disrepair for decades. Now daring new owners have made it their mission to save the manor house, stables, barns and the rest that still exist and give them a new future.

The buildings are under monument protection.
The renovation is difficult. Again and again, craftsmen expose smaller and larger damage.

On the Day of the Open Monument the doors will be opened and people can get an insight into the status of the work.

A balanced supporting program ensures entertainment and should inspire as many visitors as possible.

The Wanfried embroidery circle will also be there with Schwalm whitework, because that suits this occasion well! Both intangible cultural heritage and material cultural heritage such as architectural monuments are about preserving and passing on the skills and knowledge that have often been developed, tested and refined over very long periods of time!

The members of the embroidery circle will present themselves embroidering, be available to answer questions and invite to try things out and take a look. Embroidering in a group is fun and motivating.

Although the rooms have not yet been renovated and resemble a tidy construction site, the power supply is provisional and all equipment has to be brought along, the ladies of the embroidery circle are putting many of their beautiful finished projects on display in an exhibition. I will also be there.

Open on Sunday, September 8th, 2024 from 10 a.m. to 7 p.m.
The manor is located at Lange Str. 54 in 37281 Wanfried-Aue.

Schwalm Band (13)

Filling Patterns of Section 2 II

The middle part of the pomegranate should have an openwork pattern. Therefore the thread withdrawing is made 2:2. The grid is secured with Cable stitches (coton à broder No. 30).

Filling pattern “Needle-weaving stitches with spiders” (Openwork Pattern Samplers, pages 72 and 73) is embroidered with coton à broder No. 20 .

The sides of the pomegranates do not receive any thread withdrawing. With coton à broder No. 16 horizontal Daisy stitches are worked adjacent to the openwork pattern area. The outer area is decorated with Feather stitches.

I embroider a tendril of monastery stitch/overlay stitch on the fluffed bird with coton à broder No. 16 and No. 30.

The little heart receives a 2:2 thread withdrawing and only a Cable stitch grid (coton à broder No. 20).

I like the tiny tulip buds better without any additional filling.

The daisies could be decorated with a daisy stitch with a very long overlay stitch in each petal. I gave up on it.

This means that Section 2 II also received its filling patterns.

Schwalm Band – Outline Design
Schwalm Band (1) Design Transfer
Schwalm Band (2) – Preparatory work of section 5
Schwalm Band (3) – Preparatory work of section 4
Schwalm Band (4) – Preparatory work of the sections 3 – 1
Schwalm Band (5) – Filling Patterns of Section 5 II
Schwalm Band (6) – Filling Patterns of Section 5 I
Schwalm Band (7) – Filling Patterns of Section 4 b II
Schwalm Band (8) – Filling Patterns of Section 4 b I
Schwalm Band (9) – Filling Patterns of Section 4 a II
Schwalm Band (10) – Filling Patterns of Section 4 a I
Schwalm Band (11) – Filling Patterns of Section 3 II
Schwalm Band (12) – Filling Patterns of Section 3 I

Schwalm Band (12)

Filling Patterns of Section 3 I

The areas of the tiny hearts are very small. They will not receive a thread withdrawing. Using 2 strands of the 6-ply stranded cotton, Satin stitches are embroidered from the central axis to both sides, falling towards the base of the leaf.

The wings of the next bird get a thread withdrawing of 2:2.

The filling pattern “Diagonal Cross Filling–French Variation/half with a gap” Openwork Pattern Samplers, pages 35-37) is embroidered (coton à broder No. 20).

The birds’ bellies are given a less conspicuous pattern in contrast to the conspicuous wing pattern. To do this, threads are only withdrawn horizontally 3:1.

Back Honeycomb Darning stitch is done with coton à broder No. 20.

As with all other stitches, they look more prominent after washing.

The circles receive a thread withdrawing of 3:1.

The filling pattern consists of alternating Satin stitch bars and rows of Four-Sided stitches (coton à broder No. 20) arranged at right angles to the center.
All Satin stitches are embroidered first because the Four-Sided stitches bundle fabric threads and it is difficult to stitch between the bundled fabric threads afterwards.

This means that Section 3 I also received its filling patterns.

Schwalm Band – Outline Design
Schwalm Band (1) Design Transfer
Schwalm Band (2) – Preparatory work of section 5
Schwalm Band (3) – Preparatory work of section 4
Schwalm Band (4) – Preparatory work of the sections 3 – 1
Schwalm Band (5) – Filling Patterns of Section 5 II
Schwalm Band (6) – Filling Patterns of Section 5 I
Schwalm Band (7) – Filling Patterns of Section 4 b II
Schwalm Band (8) – Filling Patterns of Section 4 b I
Schwalm Band (9) – Filling Patterns of Section 4 a II
Schwalm Band (10) – Filling Patterns of Section 4 a I
Schwalm Band (11) – Filling Patterns of Section 3 II

Schwalm Band (11)

Filling Patterns of Section 3 II

The divided flowers receive a thread withdrawing of 3:1.

They are decorated with a pattern of alternating rows of Satin stitches and backsided Four-sided stitches using coton à broder Nr. 20.

For the large heart, the thread eithdrawing is made 2:2; The resulting grid is secured with Cable stitches (coton à broder No. 30).

The Rose stitch pattern No. 575 is embroidered into the openwork grid with coton à broder No. 20.

The small pomegranates do not receive any thread withdrawing. The outer parts are Chain stitched (coton à broder No. 30) along the outer edge.

On the inner edges, eyelash stitches are added (coton à broder No. 20) along the Coral Knot stitches.

The middle parts of the small pomegranates are finished with irregularly spaced French Knot stitches, each with 3 wraps (coton à broder No. 20).

This means that Section 3 II also received its filling patterns.

Schwalm Band – Outline Design
Schwalm Band (1) Design Transfer
Schwalm Band (2) – Preparatory work of section 5
Schwalm Band (3) – Preparatory work of section 4
Schwalm Band (4) – Preparatory work of the sections 3 – 1
Schwalm Band (5) – Filling Patterns of Section 5 II
Schwalm Band (6) – Filling Patterns of Section 5 I
Schwalm Band (7) – Filling Patterns of Section 4 b II
Schwalm Band (8) – Filling Patterns of Section 4 b I
Schwalm Band (9) – Filling Patterns of Section 4 a II
Schwalm Band (10) – Filling Patterns of Section 4 a I

Schwalm Band (10)

Filling Patterns of Section 4 a I

With the cloverleaf, the central axes are first withdrawn so that the patterns can be arranged in mirror images on the opposite surfaces.

Based on this, a Limet grid is withdrawn 3:1.

The square eyelet filling pattern “Divided Hearts” (Limetrosen I, page 53) is embroidered with coton à broder No. 25.

The bird’s wings receive a thread withdrawing of 3:1.

Embroidered into the Limet grid is a variation of Rose stiches (coton à broder No. 30)- please see picture 3-6 here.

Satin stitches are worked into the mini hearts with 2 strands of 6-ply stranded cotton from the center line outwards and rising to the tip.

The petals of the small bellflowers are initially only given a border with Chain stitches (coton à broder No. 30). It could stay that way.

But I added a row of Chain stitches with coton à broder No 16 in the middle.

I didn’t like that, so I wrapped these Chain stitches using coton à broder No. 16.

This means that section 4 a I has also received its filling pattern.

Schwalm Band – Outline Design
Schwalm Band (1) Design Transfer
Schwalm Band (2) – Preparatory work of section 5
Schwalm Band (3) – Preparatory work of section 4
Schwalm Band (4) – Preparatory work of the sections 3 – 1
Schwalm Band (5) – Filling Patterns of Section 5 II
Schwalm Band (6) – Filling Patterns of Section 5 I
Schwalm Band (7) – Filling Patterns of Section 4 b II
Schwalm Band (8) – Filling Patterns of Section 4 b I
Schwalm Band (9) – Filling Patterns of Section 4 a II