Schwalm Band (6)

Filling Patterns of Section 5 I

The bird’s belly has a relatively large area, which, due to its shape, can be used to embroider the Limet pattern “Cones” (Limetrosen I, page 79), but embroidered from top to bottom. To ensure that the pattern does not turn out too coarse, the thread withdrawing is made 2:1

and embroidered with the pattern using coton à broder No. 25.

I think this pattern represents the bird’s plumage well.
The pattern of the bird sitting opposite is worked in mirror image.

For the small bellflowers, the outer petals are surrounded with Chain stitches (coton à broder No. 30).

The center of the flower receives a simple horizontal thread withdrawing 3:1.

Wave stitches are embroidered using coton à broder No. 25.

The opposite flower is in the middle section also embroidered with Wave stitches.

One could decorate the petals of the carnation with daisy stitches, I left them unembroidered, as well as the crest of the right bird, its middle tail feather and the center of the wing.

Schwalm Band – Outline Design
Schwalm Band (1) Design Transfer
Schwalm Band (2) – Preparatory work of section 5
Schwalm Band (3) – Preparatory work of section 4
Schwalm Band (4) – Preparatory work of the sections 3 – 1
Schwalm Band (5) – Filling Patterns of Section 5 II

Schwalm Band (5)

Filling Patterns of Section 5 II

After all the preparatory work has been done, comes the exciting time of deciding on the filling patterns. The band has around 80 motifs. The mirror-image ones are decorated with the same patterns. Nevertheless, around 50 different motifs remain,
which I want to fill with a wide range of different options. I start at the bottom and work my way up little by little.

First, the areas to be filled are surrounded with Chain stitches (Coton à broder No. 30). Then the desired thread withdrawing is made.

I notice that the threads can be withdrawn very easily.

The basket should have the Satin stitch Limet pattern “Fence Wickerwork – double with a gap” (Wickelstiche, page 75) (Coton à broder No. 20).

I also notice that the top edge of the basket is crooked. Therefore, I try to set the pattern in such a way that this no longer immediately catches the eye at the end – the focus is on the second to last row with the double-width Satin stitches and the free spaces in between.

I initially just surround the areas in the handles of the basket with a Chain stitch border. I won’t decide until later whether I’ll incorporate a pattern here too.
After preliminary completion of the complete embroidery at the end, I find the handles of the basket too empty overall. Therefore, I make thread withdrawing 3:1

and embroider the area with Diagonal Cross stitches (Coton à broder No. 20).

The circles should have an openwork figurative pattern. To do this, I create an openwork grid of threads with an intersection of two withdrawn thread lines in the center and stabilize it with Single Faggot stitches (Coton à broder No. 30) from the back. Since the fabric isn’t even weave, I end up with more squares horizontally than vertically. The pattern I was considering – hearts similar to filling pattern 470 – is not suitable because it would emphasize the different distances up and down or to the sides.

So I draw different designs in an appropriate grid until I find a suitable one.

I decide on a pattern that emphasizes the diagonals and is therefore equidistant from the edge of the area at the end points. The needle-weaving is made with coton à broder No. 20.

The small heart receives a simple vertical thread withdrawing 3:1.

Satin stitch bars, the angle adapted to the shape, are embroidered with Coton à broder No. 20.

The middle part of the tulip should have the square eyelet pattern “Magic Net” (Limetrosen I, page 70). So that the pattern doesn’t look too clunky, I reduce the thread withdrawing and draw 2:1.

The pattern is embroidered with Coton à broder No. 25.

The outer tulip part should have a horizontal striped pattern – rows of Easy Eyelet stitches should alternate with rows of Satin stitch bars. To do this, a 3:1 thread grid is created.

With Coton à broder No. 20 the pattern is embroidered.

The ovals should have an openwork, diagonal striped pattern. Since the surfaces are relatively narrow, the threads are withdrawn 2:1.

I choose a pattern similar to filling pattern No. 550, but with only one row of Rose stitches and Cable stitches each, embroidered with coton à broder No. 25.

This way section 5 II has received very varied surface filling patterns, which I really like in combination.

Schwalm Band – Outline Design
Schwalm Band (1) Design Transfer
Schwalm Band (2)
Schwalm Band (3)
Schwalm Band (4)

Filling Pattern – No. 578

Filling Pattern – No. 578

category: Limet-Filling pattern
linen used: 13.5/cm thread count
threads used: coton à broder No. 20
stitches used: Back-, Straight- and For-Sided stitches
center: center: intersection of withdrawn thread lines (in other shapes or motifs: longitudinal axis = withdrawn thread line)
one pattern segment = 12 threads

The filling pattern shown here is a practice exercise only. You can see it used in a shape in the end of this article.

First, establish a Limet grid with a withdrawn thread line as the longitudinal axis by alternately cutting 1, leaving 3, vertically and horizontally.

Turn the motif 90° counterclockwise and embroider Backstitches over 3 fabric threads each along the central longitudinal axis.

At the end of the row, after completing the last Backstitch, bring needle up one square diagonally to the top left.

Cross under the working thread of the second-to-last Backstitch,

insert the needle 2 squares below the emerging point and move the needle up two squares and one square to the right and bring it up there.

*Cross under the working thread of the next free Backstitch,

insert the needle 2 squares below the emerging point and move the needle up two squares and one square to the right and bring it up there.*

Repeat these three steps (*)

until the row is finished.

Turned back to the original position, the pattern looks like this:

In this pattern I want to add a row of Four-Sided stitches between the rows of Back- and Straightstitches. Since it is easier to start the Back- and the Straight stitches always from the same side, all of these rows are embroidered first.

To do this, leave a space of two squares between a finished row and the next row of Backstitches.

Work the row there with Backstitches and the row back with Straightstitches in the manner previously described

until the entire area is filled.
When turned back to the original position, the pattern looks like this:

Then embroider Four-Sided stitches from the back over the remaining 3-thread columns.

*To do this, take the three fabric threads above a square from right to left, move the needle downwards and take the same fabric threads below the square.

Move the needle upwards, insert it at the upper right corner of the square and bring t up again at the lower right corner.*

Repeat these three steps.

From the front it looks like this:

Once all the rows of Four-Sided stitches have been embroidered, the pattern is finished.

This pattern is particularly suitable for motifs that taper towards the bottom, such as hearts.

Since this pattern harmonizes with the outline of a bird’s wing, I embroidered a pattern strip – but still set between Stain stitch bars – for filling the wing area.

Schwalm Band (4)

Preparatory work of sections 3 – 1 of the outline design

Section 3 does not contain any special features. Depending on the size of the shapes, the Blanket stitches are embroidered with coton à broder No. 20, 25 or 30.

The small pomegranates are embroidered on the outer edge with wrapped Chain stitches, as are the small hearts (coton à broder No. 16). The inner lines of the pomegranates are traced with Coral Knot stitchesn. The pomegranate inflorescences are each worked with 3 Daisy stitches (coton à broder No. 16). The small carnations are given a border of Stem stitches

and a filling of Satin stitches (each cotton à broder No. 30)

The birds of section 3 receive a Satin stitch comb, worked with 2 threads of the 6-thread stranded cotton

The connecting element between the bird beaks is given an outline of wrapped Chain stitches (coton à broder No. 20).

All other stitches are worked as already mentioned several times.

Section 2

The large pomegranate has an outer outline made of wrapped Chain stitches (coton à broder No. 16), which is trimmed with Satin stitch knife points (coton à broder No. 25).
The inner lines are only embroidered with Chain stitches (coton à broder No. 16).

The leaves at the top

and the bottom edge of the pomegranate are designed with Satin stitches using 2 threads of the 6-thread stranded cotton.

On one side, the daisy has a center section made of 2 rounds of wrapped Chain stitches (coton à broder No. 16)

on the other side, a center section is made of just one round of wrapped Chain stitches with closely placed eyelash stitches on the inside (coton à broder No. 20). The petals are made with coton à broder No. 20, the clovers with 2 threads of the 6-thread stranded cotton.

The bulbous little birds have body outlines made from wrapped Chain stitches, tail outlines made from Chain stitches, a Satin stitch knife point as a beak and a few Satin stitches as an eye (all coton à broder No. 20).

The heart shape in the middle is only indicated by Blanket stitches (coton à broder No. 20). The mini tulip buds are not divided, but are worked with wrapped Chain stitches and Chain stitches (coton à broder No.30).

The petals of the flower are outlined with Stem stitches (coton à broder No. 20).

The calyxes of the carnations are worked with Backstitches

or, bordered with Stem stitches and filled with Herringbone stitches (all coton à broder No. 20).

Section 1

The last section also has no special features and therefore does not require a separate description.

All lines are made with Coral Knot stitches, except for the outlines of the little birds and the circle of the daisy. Here wrapped Chain stitches are used and with coton à broder No. 16 embroidered.

The preparatory work for the entire band is now complete. The exciting, interesting and varied embroidery of the area filling patterns can begin.

Schwalm Band – Outline Design
Schwalm Band (1) Design Transfer
Schwalm Band (2)
Schwalm Band (3)

Filling Pattern – No. 577

Filling Pattern – No. 577

category: Limet-Filling pattern
linen used: 13.5/cm thread count
threads used: coton à broder No. 20
stitches used: Back-, Straight- and Satin stitches
center: center: intersection of withdrawn thread lines (in other shapes or motifs: longitudinal axis = withdrawn thread line)
one pattern segment = 12 threads

The filling pattern shown here is a practice exercise only. You can see it used in a shape in the end of this article.

First, establish a Limet grid with a withdrawn thread line as the longitudinal axis by alternately cutting 1, leaving 3, vertically and horizontally.

Turn the motif 90° counterclockwise and embroider Backstitches over 3 fabric threads each along the central longitudinal axis.

At the end of the row, after completing the last Backstitch, bring needle up one square diagonally to the top left.

Cross under the working thread of the first Backstitch,

insert the needle 2 squares below the emerging point and move the needle up two squares and one square to the right and bring it up there.

*Cross under the working thread of the next free Backstitch,

insert the needle 2 squares below the emerging point and move the needle up two squares and one square to the right and bring it up there.*

Repeat these three steps (*) until the row is finished.

In this pattern I want to add a row of Satin stitches between the rows of Back- and Straightstitches. Since it is easier to start the Back- and the Straight stitches always from the same side, all of these rows are embroidered first.

To do this, leave a space of two squares between a finished row and the next row of Backstitches.

Work the row there with Backstitches and the row back with Straightstitches in the manner previously described until the entire area is filled.
When turned back to the original position, the pattern looks like this:

Then embroider Satin stitch bars over the remaining 3-thread columns.

This pattern is particularly suitable for motifs that taper towards the bottom, such as hearts,

but can also be used as a horizontal stripe pattern.