Having a look around the shops, I found hangings decorated for Easter – simple to rework with a touch of embroidery.
They are made from wooden discs and wooden beads alternately strung on a rustic thread

with a metallic Easter egg randomly placed between.

Taking a thick branch from my garden and using a small saw and a thin drill bit, I easily got the required discs. I had some beads on hand.

I replaced the metallic eggs with small embroidered Easter eggs. I used the design presented here and embroidered white eggs using filling patterns No. 540

and “Kronjuwel” from the book Limetrosen II.
After boiling, the embroidery was heavily starched so that the cut piece holds its form.

I used a continuous white thread, because I found the big knots distracting,

and alternately strung beads, wooden discs, and embroidered Easter eggs on it.

Illuminated from behind, as when placed on a window, the embroidery takes on an especially beautiful effect.

One can create short hangings with only one egg or longer hangings with a couple of eggs.
























To simulate grass, I used “Trachtenstitch” (see
Each of the fifty-four eggs got its own special pattern. This was a real pleasure to stitch. I used exclusively square eyelet patterns, most can be found in my Limetrosen I book. The patterns in
The Easter eggs can be decorated with striped patterns
or with dots.
The Limetrosen patterns use more thread than many other stitches. But the effect of the threads, dense and lying in different directions on top of the fabric, is very pleasant indeed. Chiaroscuro – the interplay of light and shadow – makes the border beautiful, although is is unadorned. My tea cloth is eye catching. The whitework is timeless; it complements all kinds of crockery, flowers, and contemporary decorations.













