3. The Satin Stitch

The 13 basic stitches of Schwalm whitework

A. The decorative stitches

1. The Satin Stitch

Satin stitches extend between two lines/dots, with the lines usually not running parallel.

thread weight: depending on the fineness of the linen, coton à broder thread No. 20 or No. 25
building the rows: mostly from bottom to top
direction of needle movement: from right to left
way of working: Bring needle up on the left/outer line and lay the thread in a loop to bottom and right. Insert the needle on the right side, cross under the fabric between the both lines and bring needle up again in the left close to the previous emerging point.
Pull the needle through and the thread to the left.

The variable length of the stitches makes the satin stitch universally applicable.
In Schwalm whitework they are used for small one-piece

as well as pointed divided

and heart-shaped leaves,

small flowers and small circles.

Similarly, semicircular – often surrounded by eyelash stitches -,

pointed

or radial borders of motifs are created with this stitch.

See also: Schwalm Designs (9) – 2short-2long
Schwalm Designs – Knife Points (3)
How to work small pointed leaves?
Advent Calender 2016 – No. 3 (Coral KNots, Blanket stitch eyelets, pointed leaves)
In the embroidery of the „Horizontal Bird Border
one can find many of the previously mentioned possibilities.

Winter Tree with Berry Bowl

The “Winter Tree with Berry Bowl” is a charming little seasonal motif. The design by artist Gudrun Hartwig leads from the bare autumn tree, through the fir branch-like arrangement with the star-shaped tip and other decorations, to the Christmas bird feeder.

All outlines were embroidered with slanting wide stem stitches (Early Schwalm Whitework, page 5). To emphasize the fir tree character, I chose a pattern from the book Limetrosen II (page 21).

In contrast to the dense and three-dimensional pattern, the star was first embroidered with the delicate rose stitch variant (see: Advent Calendar 2019 – No. 1 Images 3 – 5) and then covered with a spider web(Early Schwalm Whitework, page 61).

The little birds were decorated with chain and blanket stitches.

The titmouse ring was embroidered with individual chain stitches (= daisy stitches) (Early Schwalm Whitwork, page 79).

The apple was given a simple pattern with the “Close, 2-thread weaving” (Early Schwalm Whitework, page 19).

The berry bowl was filled in the lower section with “raised band stem stitch” (Early Schwalm Whitework, page 62). The edge was decorated with satin stitches.

The berries were embroidered as blanket stitch eyelets.

The “Winter Tree with Berry Bowl” also looks very appealing as a window decoration.

You can order the pattern as a PDF for €5. Slightly modified versions are also available, featuring a bird perched on the bowl instead of berries, a drawing showing only a feeding bowl, and a design showing a pecking bird instead of a berry bowl.

You can find more Christmas embroideries, designed by the artist Gudrun Hartwig, here:

Advent Calendar 2016 – No. 23 – “Tiny Fir Wreath”
Advent Calendar 2016 – No. 22 last image- „Hellebores and Star“
Fabulous Pictures in Whitework – “Mother Holle”
Adventskalender 2019 – “Christmas Wreath”
Advent Calendar 2019 – No. 24
Advent Calendar 2018 – No 6 “Garden Angel”
Advent Wreath with Balls

Merry Christmas and a Happy New Year!

2. The Blanket Stitch

The 13 basic stitches of Schwalm whitework

A. The decorative stitches

1. The Blanket Stitch

Blanket stitches extend between two lines/dots, with the lines usually not running parallel. Blanket stitches are used in many formations in Schwalm whitework. They are used to embroider rounded leaves, semicircular, pointed, or radial outlines of motifs, small flowers, and small circles.

thread weight: depending on the fineness of the linen, coton à broder thread No. 20 or No. 25
building the rows: mostly from top to bottom (sometimes also from left to right)
direction of needle movement: from right to left (sometimes also from top to bottom)
way of working: Bring needle up on the left/outer line and lay the thread in a loop to bottom and right. Insert the needle on the right side, cross under the fabric between the both lines and bring needle up again in the left close to the previous emerging point. The looped thread is below the needle tip.
Pull the needle through and the thread to the left.

In this way, blanket stitch scallops are created,

or blanket stitch scallops worked around a center point – so called “half-eyelet scallops”,

blanket stitch tips (so called “knife points”) and

worked around a center point blanket stitch tips – so called “pointed half-eyelet scallops”,

Also eyelash stitches are created using blanket stitches,

likewise the the blanket stitch wheel (so called blanket stitch eyelet).

(The rose stitch is also a blanket stitch, but it is not used as a decorative stitch, but as a filling pattern and is therefore described in detail under this category.

See also:
How to Work a Blanket Stitch Eyelet
Design for Practice Exercises.
Tablecloth for all Seasons – October: Creepers and Grape
Advent Calendar 2016 – No. 7

Advent Wreath with Balls

The motif “Advent Wreath with Balls” makes a lovely decoration for a seasonal tablecloth. The design was created by the artist Gudrun Hartwig.

The fir branches made from coral knot stitches and satin stitches are quickly embroidered.

The circular shape of the differently sized balls offers many possibilities for filling pattern selection.

In this example, they were embroidered exclusively with patterns from the book “Stars”. These patterns have a particularly three-dimensional effect and are suitable as individual stars for the smallest balls as well as magnificent continuous patterns for the large ones.

Of course, you can choose many other patterns. A single branch with a ball is a good choice for a gift bag. Let your imagination run wild!

The embroidery shown here was done on 16/cm-count linen. The wreath has a diameter of 40 centimeters. I have a stencil for this design, so I can print the wreath.

1. The Coral Knot Stitch

The 13 basic stitches of Schwalm whitework

A. The decorative stitches

1. The Coral Knot stitch

This stitch is used to embroider the outlines of the motifs, the stems and the tendrils.

thread weight: depending on the fineness of the linen, coton à broder thread No. 16 or No. 20
building the rows: from bottom to top
direction of needle movement: from right to left
way of working: Place the working thread a bit over the line to be embroidered and then loop it to the left and down.
Insert the needle to the right of the placed thread—just a short distance from the previous knot—then pass under the fabric below the placed thread and emerge to the left, close to it. The looped thread is below the needle tip.
Pull the needle through and the thread vertically into the air.
The distance between the knots should be approximately one needle width.

For beginners it is easier to take the fabric below the line from right to left just above the emerging point,

then to lay the working thread up over the needle tip and down again under the needle tip,

to pull the needle through and the thread vertically into the air.

The shorter the stitch that takes off the fabric below the line, the rounder the knots appear.

If you were to pull the thread in the direction of the free line instead of vertically in the air, as can be seen in the last four stitches in the picture below, the knots would look more like slanting stitches.

But don’t worry: The images above show greatly enlarged details.
Shown at the correct size and in conjunction with the other stitches, most coral knot stitches look quite acceptable, as shown in the photo of an old bodice sleeve border.

If you look at the stitches in magnification, you will notice quite different levels of perfection.

The coral knot stitch is one of the most important stitches in Schwalm whitework. The earliest evidence of this stitch in Schwalm I have found so far is in the crown of a door hanging, dated 1762 and on display in the Schwalm Museum in Ziegenhain.

The Royal School of Needlework describes the stitch as a line stitch interspersed with evenly spaced knots. It is considered a stitch used by ancient Egyptian seamstresses. It was found in an English sampler from 1598 and an English headdress from the late 16th century. In the 17th and 18th centuries, it was a popular stitch in English crewelwork. At the end of the 18th and beginning of the 19th centuries, it became an integral part of Schwalm whitework. It is also used in Sardinian knotwork from Teulada (Sardinia) as Punt ‘e Nù.

In other regions and countries, the stitch was probably largely unknown. There, the whiteworkers of the time used either stem stitches or monastery stitches—including embroideries similar to Schwalm whitework, such as those in what is now the Czech Republic or the early Hedebo embroidery from Denmark.

It’s not surprising, then, that Thérése de Dillmont doesn’t mention this stitch in her groundbreaking work, *Encyclopedia of Needlework* (1893).
However, variations can be found in my old needlework books. For example, Emilie Stiasny, in her 1910 book *Stickerei-Techniken für Schule und Praxis* (K.K. Hof- und Staatsdruckerei, Vienna), shows the “verdrehten Schlingstich – twisted loop stitch” (Fig. 340a). This is similar to the coral knot stitch, except that the working thread is pulled in the direction of the needle move rather than vertically into the air.

Schwalm whitework designs often feature very distinctive tendrils. These can be stitched particularly precisely with coral knot stitch. Lines embroidered with this stitch also appear stronger, more pronounced, and more striking than those embroidered with other stitches. Perhaps this is one reason why coral knot stitch was common in Schwalm.

See also:
How to Work Tendrils?
Tendrils – Practice Exercises (1)
Tendrils – Practice Exercises (2)
Tendrils – Practice Exercises (3)
How to Work Forks of Stems and Tendrils?
Forks – Practice Exercises (1) A Sampler
Advent Calendar 2016 – No. 5
Advent Calendar 2016 – No. 20
Forks – Practice Exercises (2)
Forks – Practice Exercises (3)
Tendrils and Forks – Practice Exercises