Band for a Laundry Bag
Laundry bag: finished bag with a diameter of 42 cm and a height of 57 cm
Linen: 13.5/cm thread count, cut to 25 cm X 145 cm
Threads: coton à broder No. 16 for Coral Knot stitches; No. 20 for the needleweaving stitches of the filling pattern, for the Blanket stitches, and the Satin stitches of the leaves; No. 30 for Chain stitches, the Satin stitch bars in the basket, and the Single Faggot stitch grid (in the tulips cut 1, leave 2), and the Peahole hem; 2 strands of 6-ply stranded cotton for the Satin stitches in the tulips.
Design: No. 18 measuring 9 cm X 9.62 cm
Filling pattern: No. 37 (Openwork Needleweaving Patterns)



Cover for a Flat Gift
Linen: 13.5/cm thread count
Threads: coton à broder No. 16 for Coral Knot stitches, No. 25 for the Satin stitches of the leaves
and the Little Stars, No. 30 for Chain stitches and the filling pattern.
Design: No. 22 measuring 9 cm X 9 cm
Filling pattern: Eight-Pointed “Snow Star” (Stars) and Rose stitches








Picture
Linen: 20/cm thread count, cut to about 18 cm X 24 cm
Threads: coton à broder No. 20 for Coral Knot stitches; No. 25 for Satin, Blanket, and Eyelash stitches; No. 30 for Chain stitches, the filling pattern, and the Peahole hem.
Design: No. 15 measuring 8 cm X 11.26 cm
Filling pattern: alternating one row of Narrow Zip (Wickelstiche) and two rows of Honeycomb Darning stitches (Basic Principles of Schwalm Whitework)
Additional items: non-woven fusible interfacing for the back of the linen, a small wooden frame, a small hook
Putting a S hook in the Peahole hem, a year-round picture can easily turn into a holder for an advent gift.
In addition to the dark aprons, white aprons were also a part of the Schwalm festive costume.
However, these were reserved for young girls up to marriage. They were worn on bright warm days in addition to the white bodices and the red costume.
In the year 1941, Heinrich Metz (1897–1973), a pastor with a profound appreciation of Schwalm habits and costumes, made a survey of an average Schwalm bride’s trousseau. [Source: Schwälmer Jahrbuch 2000]
Regarding the aprons he found:
Although the basic construction of the white aprons was similar to the dark aprons, there were more elaborate details. For example, the two strips needed for the width of the apron were sewn together with a fancy seam.
The aprons´ waistbands were embroidered with the finest whitework and additionally decorated with needlelace.
The hook-and-eye closure was covered with gold-plated clasps.
Often the initials of the owner and small ornaments were embroidered with Cross stitches on the flat middle sections at the waistlines of the aprons.
Sometimes the year was also added.
Especially magnificent examples had additional small whitework borders on the flat sections on both sides at the waistline
or on the flat middle section at the waistline.
Between the flat sections, the apron was gathered with tiny pleats.
There are aprons with withdrawn thread work
and some with patterns lying on top of the fabric, as seen below in the heart motif
and in the circle motif.
However, the most common were small borders embroidered with Satin stitches
in many different patterns,
and border patterns worked with Coral Knot stitches and Satin stitches.
A large number of small border designs can be found in my publication Schwalm Curved Lines, Narrow Borders, and Ornamental Stitches.
The needlelace was also worked differently and elaborately.
Besides very simple examples,
multirow needlelace with pyramids and different picots were worked. One can find detailed instructions for working needlelace scallops, needlelace pyramids, and picots in my publication Schwalm Needlelace edge decorations – easily embroidered.
And finally, the costume consisting of the neat white apron, the black skirts, the black waistcoat, the white bodice, the red bottom edges of the skirts, and the red caps became very wellknown in the world as Little Red Riding Hood’s costume.

It makes my day every time I view this very special table runner.
The excellent design is from Barbelies Schäfer. The design incorporates traditional patterns and was part of adult education classes. Irmgard Mengel embroidered it perfectly.
On the very fine linen, the “old” filling patterns, in combination with the raised whitework, are especially effective.
Although early Schwalm whitework does not include withdrawn-thread patterns,
the variety of filling patterns in this appealing technique is considerable. Many surface filling patterns can be found in my publication Early Schwalm Whitework.
In addition to a couple of looped stitch patterns and interlaced stitch patterns,
there are Chain stitches in many variations and Satin stitches.
Most impressive are the evenness of the stitches (in early Schwalm whitework stems and outlines are made using Stem stitches instead of Coral Knot stitches)
and the perfection of the leaves.
This is an absolutely thrilling pattern that has been turned into a truly spectacular example of excellent needle art by Irmgard Mengel!
If you would like to try your hand at this technique, you can get this design printed on linen by Irmgard Mengel. Please email me with your request.








