A Chain of Repeating Elements (2)

In the previous article I showed the spiral of Herta Schneider embroidered by Monika Wegener. One can change the design or add additional elements. half-eyelet scallops, 2 short-2 long stitches und Eyelash stitches are only some options.

Elements repeated in a row were also part of many Schwalm embroideries of the past, as the pictures of traditional pieces show.

In a piece from 1804 there is a row of Herringbone stitches, bordered with Stem stitches.

A work from 1827 includes staggered and mirrored Blanket stitch half-eyelet scallops along a row of Chain stitches.

A pillow case from 1842 has a line of undivided leaves on both sides of a Coral Knot stitch row,

a line of rounded leaves (representing feathers), and

rows of alternating tendrils and rounded leaves.

On a piece from 1866, there are leaves – arranged like tulips –

and we see them again alternating with tendrils.

Embroidery on a sleeve cuff embroidery 1895 shows leaves – arranged like hearts – alternating with tendrils.

The embroidery on the same sleeve cuff contains a row of Coral Knot stitch elements.

A very old bed covering with early Schwalm whitework is decorated with a row of tendrils along a curved line.

Of course, there could certainly be many more examples.

With these suggestions and a little imagination you can develop your own creations. I am happy to provide you with two basic spirals –

let your creativity shine!

I look forward to seeing your designs!

A Schwalm Spiral – a chain of repeating elements (1)   

Beside snail shells spirals can be seen in a variety of different places. Herta Schneider got the idea to use the spiral as a focal point for a design that incorporates small elements of Schwalm whitework to fill the areas between the big motifs. She “strung” these elements on a thread and laid the finished “chain” into a spiral.

Monika Wegener bought a design drawing from Herta Schneider and embroidered such a spiral. Her name and the year gracefully flow along the curved lines.

In addition to Blanket stitch eyelets many small leaves can be found – pointed and undivided

or pointed and curved.

Small hearts alternate with tendrils.

Knife points with Blanket stitches are also found.

I think this project not only turned out very nicely but was also a good way to practice small elements used in Schwalm whitework.

Snail Shells (1)

Tendrils are a common and important design element. They are symbols of life cycles and stand for changes and transition.

Our lives are changing enormously at the moment.

The spiral of the snail shell reminds one of the spirals of tendrils.
Snails retreat into their homes in case of danger and do not stretch their feelers again until the threat seems to be over.

So what could be more perfect today than to embroider snail “houses.”
The artist Gudrun Hartwig drew different snail shell designs for me.

Here is one of those designs:

Transferring the design one should keep in mind that it does not appear mirrored. The spirals of snail shells always turn counterclockwise. Not all lines of the wall structure must be transferred; this will only be confusing when stitching. For orientation the main lines and the length of the lines are enough.

Starting on the outside, I embroidered Chain stitches along the spiral line.

Starting with heavier thread, I changed to finer thread after approximately each round. This enables one to work the center of the spiral exactly.

The fine lines of the wall texture were embroidered with Stem stitches using coton à broder No. 30.

Snail “houses”, snails, and other crawlers are well suited to be included into a sampler.

This example shows one possible way to depict a snail shell.

Another possibility will follow.

In Times of the Corona Crisis

In these times of the coronavirus crisis, many people around the world have been forced to involuntarily stay at home. Although you are constantly following the situation via news outlets, at some point you surely long for a little more inner calm. Embroidery can be a welcome distraction. And so to help alleviate the boredom embroiders might be experiencing during these times, I have decided to post more.

Many Facebook groups are currently visiting my blog. What if each member of a group were to make a small embroidery to be later joined together into a large cloth? I got this inspiration while viewing photos of exhibitions I visited. One that caught my eye was the fabulously impressive sampler of Rosemarie Landsiedel-Eicken from 34497 Korbach.

I think a theme would definitely be necessary, and depicting “life” could be an idea: animals, flowers and other plants, stars, and many other life-affirming motifs could be considered. A couple of suitable motifs can be found in my blog archive free designs.

What do you think of this idea?

Sampler by Bärbel Kophamel

In 2013, a very special sampler cloth was made by Bärbel Kophamel.


She worked on very fine handwoven linen using dense stitches. This combination made outlines and leaves prominent.


By chance she found this linen piece at an antique market. She loved the feel of the fabric very much and enjoyed embroidering on it. From the onset she had no real plan. She began her sampler cloth in the center, adding all the elements that she was interested in.


Step by step she worked ornaments,


borders, and hems,


adding needle-weaving and openwork bands until the entire cloth was filled.


She embroidered creative filling patterns.


She finished the cloth by adding a crown, her initials, and the year. Because she did not like colours in combination with whitework, she embroidered the crown in white.


Bärbel Kophamel has stitched four different samplers in all. I am grateful to her for allowing me to share this beautiful and unique sampler with you today. Perhaps we will be able to have a look at another one of her lovely projects in the future.